Winter NAMM Show 2012 News, Photos and Videos

NAMM 2012 is well underway, and we want to remind you that you can get all of the latest product announcements, photos, video and more from this year's NAMM show at our NAMM 2012 content hub.

Some highlights so far this year include the new iStomp pedal from DigiTech, an incredible new live sound speaker and "smart" mixer setup from Line 6 and the new PolyTune Mini Tuner from TC Electronic.

All this and more at our official NAMM 2012 content hub.

Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.

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Lars Ulrich, James Hetfield and Kirk Hammett of Metallica, and producer Bob Rock at the 21st Annual ASCAP Pop Music Awards 2004.

“Please tell the bass players of the world to go easy on me. I did my best to represent you well!” Bob Rock made bass history on Metallica’s St. Anger – quite a feat, since he “never really played bass” before

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“I’ve seen firsthand how technology and innovation have reshaped the six-string landscape”: 5 reasons why new guitar players have never had it so good

“The Uni-Vibe was an excellent alternative to a Leslie and became a mainstay for Jimi Hendrix”: Everything you need to know about modulation, from Leslie emulators and chorus pedals to bucket-brigade chips and phasers

“For me, it’s not how many are watching, it’s who is watching – Tosin engaging made me feel like I was doing something right”: Dante Swan is blurring the lines between djent and trap music – and he wants you to steal his riffs

“For me to be so appreciated, I think I can start to feel guilty and pressured. But I guess it’s a good problem to have”: From playing Steve Vai's guitars to playing with him onstage, Tosin Abasi's rapid ascent made him one of the biggest names in guitar

“I bumped into Eric in a club and I thought we were going to get into a fight! But he went, ‘Hello, man!’ and gave me a big hug”: Jeff Beck took the Yardbirds in a new direction, but the constant Eric Clapton comparisons took years to shake

“We knew listeners usually wanted a memorable song rather than an insane guitar solo or riff, but we wanted to be extreme”: Jason Becker and Marty Friedman on their wild ride making Cacophony’s Go Off! – one of the Eighties’ most in-your-face shred albums

“Like Gretsch’s Duo Jet, it was surely spurred by Gibson’s success with the Les Paul”: The mysterious history of the Guild M-75 Aristocrat, the blue-blooded hollowbody played by John Lee Hooker, John Mayer, St. Vincent and Dan Auerbach

“Top money buys forensically aged details and incredible craft, but you won’t necessarily hear £5k’s worth of difference in the sonic performance”: How close are Gibson's ’59 Burst replicas and their boutique rivals?

“Chris Shiflett has this great AC30 from the ’60s – that’s the main amp on the album. That and a Princeton Reverb – until I blew it up”: How one-man blues rock band Steve Hill cheated death – then found redemption at Foo Fighters’ Studio 606

“This is a guy who worked for Frank Zappa. Frank said to him, ‘Whatever you do, don’t learn how to read music.’ He's all-creative – he's a miracle, really”: Steve Vai on BEAT, being a virtuoso in his 60s – and the Fripp riff he just couldn’t master

“The Grateful Dead wouldn’t let us use their amps. Ray was aghast – he kept saying, ‘Pigpen? Someone named Pigpen won’t let me use his instrument?’” With a volatile lead singer and no bass player, they left an indelible mark on rock

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