This audio is bonus content related to the April 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at our online store.
Among the greatest blues stylists of the 20th century was pianist Otis Spann, who rose to prominence in the Fifties with his definitive contributions to recordings by Muddy Waters and other Chess Records artists before emerging in the next decade as a solo performer.
A protégé of boogie-woogie titan Big Maceo Merriweather, Spann performed fast boogies, stomp-down shuffles and lyrical slow blues with equal finesse, drawing from a seemingly bottomless well of inventive melodies and rock-solid rhythms.
He had a warm, appealing vocal style but displayed his piano-playing gifts most comprehensively on instrumentals like “This Is the Blues” and “Walking the Blues” (both from the superb 1960 album Walking the Blues, which also features outstanding guitar work by Robert Lockwood).
“Jim Morrison was carried out because he was shouting abuse. Jimi Hendrix was there. We were all getting drunk”: Ritchie Blackmore recalls the first time he saw two-hand tapping – at a wild show in 1968
“I was playing with the Scorpions, and I broke a string and had a solo coming up. My brother and I swapped guitars really quickly”: Michael Schenker talks Vs, his early flirtations with offsets, and how he joined one of hard rock's biggest juggernauts
