These videos and audio files are bonus content related to the September 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
As a final lesson on improvising over the changes to Horace Silver’s “Song for My Father,” this month I present a chorus of original melody played over the tune’s 24-bar, AAB form that features musically crafty contours with interesting twists and turns (see FIGURE 1).
Following last month’s sparser, bluesy chorus, I now shift into higher rhythmic and harmonic gear and play double-time 16th-note bebop-style lines over the tune’s laid-back bossa-nova groove and loosely spaced chord changes, which present an opportunity and challenge to try and “get inside the changes” and say a lot over each chord, while bringing the two-chorus solo to an exciting climax.
“I think Eddie got rubbed up the wrong way because we had another superstar guitar player in our lineup”: Eddie Van Halen apparently left Peavey because it signed a second standout shredder – Joe Satriani
“That was one thing I wanted to get right with Oliver. I went to his house and made sure he knew how that one had happened”: Robby Krieger sets the record straight on how a Doors classic was really written – and what the controversial movie got wrong
