These videos are bonus content related to the December 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
This month, I’d like to point out some relevant differences between the studio environment, where specific guitar parts are often meticulously crafted and arranged, and live performance, where they sometimes evolve, either out of necessity or as a result of ongoing inspiration, into something quite different that just feels or works better onstage, in front of an audience.
As an example, I’ll demonstrate how I’ve adapted some of the guitar parts I recorded with Rascal Flatts for our 2006 hit cover of the ballad “What Hurts the Most” (Me and My Gang) to render a stirring live arrangement of this song.
The rhythm guitar tracks on the recording—an acoustic doubled by a clean electric, panned right and left—were performed as if the song were in the key of E minor and with a capo at the second fret, which raises everything a whole step. The guitars, however, were tuned down a half step, so the song sounds in F minor, only a half step above concert pitch, and not a whole step higher (in F# minor), which would be the case in standard tuning.
“Jim Morrison was carried out because he was shouting abuse. Jimi Hendrix was there. We were all getting drunk”: Ritchie Blackmore recalls the first time he saw two-hand tapping – at a wild show in 1968
“I was playing with the Scorpions, and I broke a string and had a solo coming up. My brother and I swapped guitars really quickly”: Michael Schenker talks Vs, his early flirtations with offsets, and how he joined one of hard rock's biggest juggernauts
