Review: Boss BC-2 Combo Drive and FB-2 Feedback/Booster Pedals

Features
By published

This video is related to the February 2012 issue of Guitar World. For the full text of the reviews, you can pick up the issue of newsstands now or in our online store.

In the following video, Guitar World's Paul Riario takes a look at two new gems from Boss, the BC-2 Combo Drive and the FB-2 Feedback/Booster pedals.

Paul Riario
Paul Riario

Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

More about effects pedals

“Its superpower is punching your guitar tone with presence, thickened gain and sustain”: SoloDallas SVDS Boost review

“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture

“My brother's trying to knock Norm down in price. He's worth $800 million. He goes, ‘I'll give you a bottle of whiskey on top’”: Frank Stallone on the prized vintage Epiphone that Sylvester bought him – and the guitar's mysterious origins
See more latest
Most Popular
Bootsy Collins
“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today
Geordie Walker of Killing Joke performs with his Gibson gold-top Gibson ES-295 with the Mary Kaye pickguard.
“This guy kept calling saying, ‘I’ve never been in a band before, but I’m the best guitarist ever.’ When I heard him play it was like a fire from heaven”: The life and times of Killing Joke visionary Geordie Walker – the guitar hero’s guitar hero
Bad Cat's late amp designer Mark Sampson on the shop floor: Sampson is widely credited as being one of the godfather's of the boutique amp movement.
“There’s no doubt in my mind that Mark Sampson was the father of the boutique amp revolution”: An interview with the late, great Mark Sampson, the trailblazing amp designer behind Bad Cat and Matchless
Ray Aggs
“I’ve never bought a guitar and I’m quite proud of that! I always tell people when they’re learning: there’s a guitar not being played”: Meet Sacred Paws’ Ray Aggs, the dextrous Tele-wrangler inventing new chords and capturing Thurston Moore’s imagination
EHX founder Mike Matthews stands in a warehouse with his fists in the air. He wears a tan jacket and has a trademark cigar in his mouth.
“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture
Yves Jarvis
“I didn’t use any amps. The pedal that saved me was the Boss Super Overdrive”: How Yves Jarvis made 2025’s most exciting experimental record so far with a $50 Explorer knockoff and an unbelievably weird tuning
Buddy Guy performs onstage in London in October 1965
“Chess was cussin' when I got to the session with Muddy. But when he heard me, he just sat there with his mouth open”: Leonard Chess wanted to cash in on the folk boom, and asked Muddy Waters to bring him an old acoustic bluesman. He brought him Buddy Guy
[from left] George Harrison with his Gretsch Country Gentleman, Norman Harris of Norman's Rare Guitars holds a gold-top Les Paul, John Fogerty with his legendary 1969 Rickenbacker
“I didn’t think anybody would believe I got it from George Harrison. I figured they’d call me a liar”: Vintage guitar guru Norman Harris names the 5 most memorable guitars that have come through Norman's Rare Guitars
View from behind the camera as a man records a guitar performance
“You better be ready to prove it’s something you can do”: Giacomo Turra got exposed – but real guitar virtuosos are being wrongly accused of fakery, too
Talking Heads live at CBGB's, in 1977. On the right, David Byrne tuneshis Fender Strat, while Jerry Harrison – also playing a Strat – looks on.
“I was really broke. The only way I could get to New York to try out for Talking Heads was to take a family who were moving there in the band van”: Jerry Harrison on making Talking Heads’ 1977 debut and rejecting blues-rock to shape the CBGB guitar sound