Prog-Gnosis: Making Odd Meters Feel Natural, and How to Play “Cylindrical Sea”
The following content is related to the January 13 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
A signature element in the songwriting techniques I use with my band Animals as Leaders is the incorporation of unusual time signatures, also known as odd meters. In the quest for fresh-sounding new music, we will often superimpose different meters and/or syncopations on top of one another, a technique explored to great extent by many of today’s progressive rock and metal bands, such as Periphery, Dillinger Escape Plan and, of course, Meshuggah.
A good example is the song, “Cylindrical Sea,” from our new album, Weightless. As many of you know, I’m a huge Allan Holdsworth fan, and the sound and approach I use on this song are influenced by him.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“When I joined, Ozzy told me I'd often hear people scream out Randy's name during a show”: Zakk Wylde discusses Ozzy Osbourne's hard-and-fast guitar rules, and the friendly shadows of Randy Rhoads and Jake E. Lee, in his first Guitar World interview
“People might look and think I’m just this TikTok personality. They don’t know that I’ve been playing since 2010”: Kiki Wong recalls her early guitar career – and the “crazy” bootleg tours with three people sleeping in the back of a truck