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How to create memorable single-note themes in instrumental guitar music
By Andy Wood published
Andy Wood shows us the power of placing one carefully considered note in front of the other, replacing the need for the human voice
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How Wayne Krantz forged his raw, rhythmic approach to fusion guitar
By Nick Mellor published
A lesson inspired by the jazz great that will help the advanced players out there take their improv chops to the next level
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“He had one of the greatest finger vibratos of all time”: Jared James Nichols on the guitar genius of Free’s Paul Kossoff
By Jared James Nichols published
Kossoff is one of Jared James Nichols’ six-string heroes: he unpacks the Free guitarist’s signature vibrato and phrasing
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Rodrigo Gouveia masterclass: learn how to emulate horns and piano like the neo-soul maestro
By Rodrigo Gouveia published
Crossing the boundaries of jazz, soul and soul, this JTCguitar lesson presents practical strategies for expanding your sound with melodic embellishments and triads that fill the mix
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“It works every time… although you'll ruin your pick”: How to end a slow blues solo, by Joe Bonamassa
By Joe Bonamassa published
Drawing upon B.B. King's seminal Live at the Regal, JoBo offers pointers for "high-note activity" and the emotional build-up before deferring to Jeff Beck for the coupe de grace
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How Queensrÿche's Michael Wilton and Chris DeGarmo became two of metal's most cerebral riff-masters
By Jamie Hunt published
Queensrÿche's high-concept metal still feels cult even though the Washington band are bona-fide platinum-selling stars. DeGarmo and Wilton's approach can be applied across all metal subgenres, too
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His playing had an intensity and drama that even Eric Clapton admired – and it all started with classical guitar: Paul Kossoff was a rare genius
By Richard Barrett published
It was Clapton's work with John Mayall that electrified the Free guitarist's imagination. Then it was Marshall stacks, a Les Paul and a wicked vibrato…
![Three funk guitar maestros [l-r]: Hamish Stuart of Average White Band crouches down to play his Telecaster; Nile Rodgers of Chic gives the audience some love; and Claydes Charles Smith of Kool and the King holds it down with sunglasses on in an archive B/W live shot.](https://cdn.mos.cms.futurecdn.net/JiG8AhR8Xa2U8sYe6rBRm7-320-80.jpg)
The glitterball guitar heroes of ’70s funk were masters of rhythm guitar – and their techniques will make you a better player
By Jon Bishop published
Unpacking the techniques pioneered by the likes of Nile Rodgers, Hamish Stuart and Claydes Charles Smith
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