Latest about Stevie Ray Vaughan
Larkin Poe's Rebecca Lovell on why the secret to great Strat tone is in the right hand
From blues riffs to heavier rock tones, Lovell reveals how she leverages the Strat to create a distinctive sound for Larkin Poe
“Stevie wasn’t a fluent songwriter”: The making of Stevie Ray Vaughan’s Couldn’t Stand the Weather
In 1984, Stevie Ray Vaughan and Double Trouble needed new tunes and needed them bad, and necessity became the mother of invention as they put together a bona fide blues classic
This guitarist transformed their John Mayer PRS into a Stevie Ray Vaughan Number One Strat
John Mayer once asserted he’d never produce a sunburst version of his popular PRS signature guitar. Now we know what it would look like, and it's quite something
“That take was live from beginning to end, 7 minutes of pure guitar energy without a single miscue”: Stevie Ray Vaughan’s producer and bassist recall being in the room when SRV tackled his game-changing cover of Voodoo Child
SRV’s other massive Hendrix cover proved a pivot point in his playing career – helping the Texas bluesman to find his way through his fraught second album sessions
“The bridge between at least three generations. He was genuinely happy to share the joy with those around him”: W. C. Clark – the ‘Godfather of Austin Blues’ who mentored Stevie Ray Vaughan and many others – has died aged 84
Clark gave guidance to many of Austin's brightest talents, and remained an avid performer right up until his death
“I loved Hendrix – he was my first guitar hero... But seeing Stevie Ray Vaughan was transcendent. He made me understand Hendrix better”: Mike McCready says SRV helped him make sense of this Hendrix technique
“When he [Vaughan] did Voodoo Child, it was so bad-ass," McCready says. “He changed how I wanted to play, and if you listen to Even Flow, you can hear me trying to emulate his stuff”
Stevie Ray Vaughan virtually defined the art of the Texas shuffle – learn the playing style that shaped the sound of blues to come
The late, great Stratocaster master’s techniques will add some Texas heat to your blues playing, guaranteed
“He’s real tough, and when he’s liquored up, he can really play!” Pat Hare influenced Stevie Ray Vaughan, beat Cream and Led Zeppelin to the blues-rock punch, and recorded an eerily prescient guitar knockout called I’m Gonna Murder My Baby
A remarkably gifted, but equally volcanic, guitarist who played with Howlin’ Wolf, James Cotton, Muddy Waters, and Bobby Bland, Hare made a seismic (and largely forgotten) impact on the development of blues-rock, before receiving a life sentence in prison
“The ultimate feat”: Pedal Pawn has reverse engineered one of Stevie Ray Vaughan’s Tube Screamer pedals to produce the “juiciest mid-hump overdrive tone ever”
The dual-channel overdrive features a faithful recreation of what is believed to be the Screamer SRV used for his legendary El Mocambo performance
“That final show was one of our best gigs. I can still hear that first note Stevie played… that one note will remain with me forever”: Tommy Shannon on his wild ride with Stevie Ray Vaughan – and the “total chaos” that followed his tragic death
He played with Johnny Winter, battled addiction, then joined a band with his childhood friend, Stevie Ray Vaughan. In this candid interview, the Double Trouble bassist recalls the highs and lows of life with one of the all-time guitar greats, playing Woodstock on acid, and why he still thinks he'd be the best bass player for the Rolling Stones
