Slipknot
Latest about Slipknot
Slipknot dial back the tempo on Yen, the brooding third single from their upcoming album, The End, So Far
By Sam Roche published
Yen finds the Iowa metal juggernaut in less frenzied, more expansive form than on previous singles The Chapeltown Rag and The Dying Song (Time to Sing)
From pit-starting drop B chug to intricate jazz tapestries: here are this week's essential guitar tracks
By Sam Roche, Jonathan Horsley, Jackson Maxwell, Matt Owen published
Liven up the dog days of summer with cool new tunes from Slipknot, Muse, Chat Pile, Ozzy Osbourne and Tony Iommi, Titus Andronicus, Sam Fender, Makaya McCraven and more
Slipknot announce new album, The End, So Far, and debut obliterating second single, The Dying Song (Time to Sing)
By Sam Roche published
The record arrives September 30 via Roadrunner and will bring “new music, new art and new beginnings”, says Shawn Crahan
How Korn changed the face of guitar music
By Total Guitar editors published
Charting Munky and Head's influence – from Sepultura and Slipknot to the present day
John Mayer praises Jim Root’s signature Fender Telecaster as what “every Tele should look like in this day and age”
By Matt Owen published
“It's smart. It's awake. It's doing something completely new,” said the Sob Rock star in his praise of the Slipknot man's axe
Slipknot announce 2022 Knotfest Roadshow North American tour
By Jackson Maxwell published
The first leg – set to take place from March 16 - April 17 – will feature In This Moment and Jinjer, while the second, May 18 - June 18 leg will feature Cypress Hill and Ho99o9
From effervescent funk to chaotic, full-throated nu-metal: here are this week's essential guitar tracks
By Michael Astley-Brown, Jackson Maxwell, Sam Roche, Matt Owen published
Usher in the weekend with playlist-bolstering new songs from Slipknot, Foals, PUP, Nilüfer Yanya, Korn, Camp Cope, Rolo Tomassi and more
Slipknot bring the chaos with their first new music in 2 years, The Chapeltown Rag
By Sam Roche published
The fresh cut sees the Iowa nine-piece hark back to the “frenetic” sound of their first two albums, Slipknot and Iowa
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