PRS
Latest about PRS
John Mayer has been playing Jeff Beck’s Fender Stratocaster – and Joe Bonamassa has confirmed it’s the real deal
By Matt Owen published
Mayer brought the Custom Shop model out during Dead & Company's residency at The Sphere, and used it to channel his inner Beck
Mark Tremonti says a recreation of his PRS is on the cards – could artificially aged PRS guitars become a reality?
By Matt Owen published
PRS has yet to officially release a relic'd guitar, but that could all be about to change
“The immaculate craft and lutherie is unmatched”: PRS S2 Standard 24 Satin and S2 Vela Satin review
By Dave Burrluck published
As PRS’s more affordable USA-made S2 line moves into its second decade, the series gets a revamp with – at last – USA-made pickups and electronics. What took so long?
It’s PRS vs Gibson, as Orianthi and Joe Bonamassa give First Time Blues a masterful live outing
By Janelle Borg published
In a solo-laden show at the Whisky A-Go-Go, the two virtuosos traded licks – also tackling B.B. King’s Never Make Your Move
“A home-run of a guitar”: PRS’ $499 SE CE 24 Standard Satin is the firm’s most affordable guitar yet – and, at that price, “it’s impossible to beat”
By Guitar World Staff published
The budget-friendly model is so much more than just a beginner guitar, boasting PRS’ unparalleled craftsmanship, easy playability and versatile tones
PRS’ new David Grissom signature tube head looks to outperform classic vintage amps
By Matt Owen published
The DGT 15 is the latest release from the pair's decades-long partnership – and channels the spirit of his high-end Custom 30 head, with some choice engineering tweaks
Jim Root has switched to the Neural DSP Quad Cortex for some Slipknot shows
By Matt Owen published
Despite once saying he'd stay clear of digital tech, Root has started dabbling in the amp modeling world – and recently used the Quad Cortex at a high-profile festival performance
“Paul said he’d do anything to make it happen”: Herman Li on his switch to PRS
By Amit Sharma published
Paul Reed Smith wanted to do something but I had to explain it was my dream as a kid to have an Ibanez signature. Paul said he’d do anything to make it happen
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