Latest about PRS
“A home-run of a guitar”: PRS’ $499 SE CE 24 Standard Satin is the firm’s most affordable guitar yet – and, at that price, “it’s impossible to beat”
The budget-friendly model is so much more than just a beginner guitar, boasting PRS’ unparalleled craftsmanship, easy playability and versatile tones
PRS’ new David Grissom signature tube head looks to outperform classic vintage amps
The DGT 15 is the latest release from the pair's decades-long partnership – and channels the spirit of his high-end Custom 30 head, with some choice engineering tweaks
Jim Root has switched to the Neural DSP Quad Cortex for some Slipknot shows
Despite once saying he'd stay clear of digital tech, Root has started dabbling in the amp modeling world – and recently used the Quad Cortex at a high-profile festival performance
“Paul said he’d do anything to make it happen”: Herman Li on his switch to PRS
Paul Reed Smith wanted to do something but I had to explain it was my dream as a kid to have an Ibanez signature. Paul said he’d do anything to make it happen
This guitarist transformed their John Mayer PRS into a Stevie Ray Vaughan Number One Strat
John Mayer once asserted he’d never produce a sunburst version of his popular PRS signature guitar. Now we know what it would look like, and it's quite something
Best amps for metal 2024: our top picks for high-gain heroes
These powerhouse metal amps from PRS, Orange, Friedman, EVH, and more will have you primed to seek and destroy
“Percussive attack, lively dynamics and the distinctive resonance that swamp ash is known for”: the PRS SE Swamp Ash offers the full tonal package in one guitar
Swamp ash makes its return to PRS with a fun, flexible, and beautifully built HSH model – and it’s a tonal Swiss Army Knife
“Completely shatters the expectations for a guitar geared toward modern metal”: PRS SE Mark Holcomb SVN review
The Periphery guitarist’s signature model gives lovers of the low-end great specs and playability at a lower cost. We find out if it’s more than just a djent machine.
