Latest about Nirvana
Kurt Cobain’s Smells Like Teen Spirit Fender Mustang sells at auction for $4.5 million
The winning bid from Indianapolis Colts owner Jim Irsay makes the iconic offset the second most expensive guitar sold at auction, overtaking David Gilmour's Black Strat
Bids on Kurt Cobain’s Smells Like Teen Spirit Fender Mustang have already hit $2 million
Indianapolis Colts owner Jim Irsay has made a generous early bid to kickstart an auction in aid of his mental health charity Kick the Stigma
Soundgarden’s Kim Thayil and Matt Cameron launch new supergroup with Nirvana’s Krist Novoselic
Hear 3rd Secret’s surprise-released debut album – which also features Bubba Dupree, Jennifer Johnson and Jillian Raye – now
Kurt Cobain’s Smells Like Teen Spirit Fender Mustang goes up for auction for the first time
A portion of the proceeds from the sale of the guitar – which featured in the iconic 1991 music video – will go towards supporting mental health charity, Kicking The Stigma
Kurt Cobain's final days to be turned into an opera by London's Royal Opera House
Cobain's is “an archetypal story – operas deal well in those”, says ROH composer-in-residence Oliver Leith
Watch Nirvana cover The Cars at their final show in 1994
Kurt Cobain, Krist Novoselic and Dave Grohl played the tongue-in-cheek cover during a scorching 23-song set at Terminal Einz in Munich, Germany – their last concert ever
Krist Novoselic: “I have so many blessings – I got to play with Dave Grohl and Kurt Cobain”
To mark 30 years since the release of Nirvana’s era-defining album, Nevermind, Bass Player revisits this 2011 chat with the great bassist turned political activist, Krist Novoselic
Watch Tommy Emmanuel and Mike Dawes give Nirvana's Smells Like Teen Spirit a virtuosic acoustic makeover
At a recent Seattle gig, the acoustic masters took on the ultimate grunge standard, and re-tooled it beautifully to fit their respective styles
Seattle production legend Jack Endino on his new solo album, recording Nirvana and Soundgarden, and his endless search for riffs he's never heard before
The prolific producer on finding the time and the guitar tones for the epic Set Myself on Fire, and how he found his aesthetic by dismantling Led Zeppelin records
