Latest about Metallica
When Cliff Burton met Geddy Lee: “He started pacing, he started smoking pot, and he was like, ‘Oh my God!’”
Kirk Hammett remembers when Rush frontman Geddy Lee showed up at a Metallica show
Jimmy Page and Jack White both loved Metallica's St. Anger, according to Bob Rock
The guitar heroes – and It Might Get Loud co-stars – expressed their appreciation for the highly polarizing album in separate encounters with the producer
Kirk Hammett says he prefers the Epiphone Greeny to the $20k Gibson Custom Shop version – here’s why
The Metallica man says they’re all great “but my favorite version of Greeny is probably the Epiphone”
Robert Trujillo: “We have more riffs than we know what to do with. With every handful of riffs we get out of Kirk, there’s another 500 we didn’t hear”
Now a 20-year veteran as Metallica bassist, Trujillo details the secret weapons that locked in with James Hetfield and Kirk Hammett's guitar tones on 72 Seasons, and the key to getting extra grit from fingerstyle bass
Gibson adds Kirk Hammett’s 1960 “Sunny” Les Paul Standard to its Certified Vintage Collection
Sunny was used by the Metallica maestro up until last year, and joins the company’s growing cohort of ultra-exclusive vintage instruments to be sold to customers direct via the Gibson Garage
Kirk Hammett and Robert Trujillo offer their track-by-track guide to Metallica’s super-heavy smash-hit new album, 72 Seasons
Fast stuff, bouncy stuff, thrashing riffs, evil tones, power grooves and ‘total noise’ solos included
The guitar gear secrets behind James Hetfield and Kirk Hammett’s tones on 72 Seasons
Metallica co-producer Greg Fidelman reveals how the new album was made with the help of a Marshall modded by Eddie Van Halen’s amp wizard and a rack full of battle-hardened guitars, including one that makes Hetfield “immediately want to play fast riffs”
Metallica’s Kirk Hammett: “With 72 Seasons, I improvised 20, 30 solos, gave them all to Lars and Greg Fidelman, and went, ‘You guys edit them!’”
Kirk Hammett and Robert Trujillo draw back the curtain on the metal album of the year: the gear shakeups, the Angus Young and Ritchie Blackmore-inspired guitar approach, and the response to critics of Kirk’s improvisational soloing approach
