Latest about Les Paul
Warren Haynes’ favorite Allman Brothers Band Gibson Les Paul “legally” can’t even be called a Les Paul – and was once destined for the garbage
The guitar, which features a number of manufacturing errors, was rescued by Haynes during a trip to the Gibson Custom Shop
Gibson Kirk Hammett ‘Greeny’ Les Paul Standard review
Following a pair of five-figure Custom versions, here’s the everyman Greeny. But is it a valid introduction or simply a slightly pimped version of an existing Les Paul?
Mary Ford’s 1961 Gibson Les Paul SG Custom has just been tracked down… on Facebook Marketplace
The historic instrument – which Ford used in her collaborations with Les Paul – ended up in the most unlikely place after playing a formative role in rock ’n’ roll history
Meet 'Sunny', a newly uncovered 1959 Gibson Les Paul Standard from South Africa
More and more holy grail Les Paul Standards are surfacing in recent years, but this exceptional specimen remains a thoroughbred unicorn by anyone's reckoning
Ally Venable on Les Pauls: “They’re not just one-trick ponies – if you experiment with the controls, you can get a lot of different tones out of them”
The Texan blues hot-shot talks Gibson's famous single-cut, the Wounded Warrior she calls her own and that time Billy Gibbons told her she was playing Sunshine of Your Love wrong
Dirty Honey’s John Notto on Les Pauls: “There’s such a great sound and great look that you put up with their charmingly difficult attributes”
A hard-riffing, Marshall-diming rock-and-roller, Notto swears that all the Gibson Les Paul's idiosyncrasies are worth it for that sweet, sweet tone
Gibson adds possibly the first ‘59 Les Paul reissue ever produced and a near-perfect ‘61 Les Paul SG Custom to Certified Vintage collection
A '58 Black Beauty Les Paul Custom and Designer Series Flying V from 1985 are also included in the drop, which offers consumers the chance to own some of Gibson's rarest and most collectible guitars
Al Di Meola on Gibson Les Pauls: “My 1971 Custom is obscenely heavy and growls like nothing else”
The maestro of jazz-rock discusses his relationship with the iconic Gibson single-cut, and the man who designed it
Epiphone takes a baroque turn with Adam Jones' latest limited-edition Art Collection Les Paul
The third of seven limited-edition Adam Jones Epiphone Les Pauls continues the precedent set by its predecessors: classic LP visuals up front, dazzling artwork on the back
Jared James Nichols: “I was playing a lot of Strats and Telecasters. And then I tried a Les Paul Standard. The first thing I thought was, ‘Holy f**k, this feels like a Cadillac!’”
When it comes time to unleash a vulgar display of Blues Power, it’s all about expression – JJN explains why the Les Paul is “the best tool for the job”
