Joe Satriani
Latest about Joe Satriani
Joe Satriani on proposed Van Halen tribute concert: “If it's ever gonna happen, Wolfgang Van Halen should play guitar”
By Sam Roche published
The virtuoso says Wolfgang's playing at Foo Fighters' recent Taylor Hawkins tribute concerts was “the most natural, beautiful thing” he'd seen in a long time
Joe Satriani: “You’re not going to sell out theaters or get a billion streams with finger exercises”
By Sam Roche published
The virtuoso imparts some valuable wisdom on where scales should place in an aspiring guitarist's practice routine
Joe Satriani, Nita Strauss, Nuno Bettencourt and Orianthi to appear on new orchestral album
By Sam Roche published
Strauss proves she’s the MVP on the upcoming Kitt Wakeley record’s shred-heavy first single
The greatest guitar albums of the ’80s: the rise of the next-gen guitar hero
By Jenna Scaramanga published
We examine the forward-thinking era that gave us monster records from Slash, Metallica and Randy Rhoads – and Joe Satriani tells us what made Van Halen's 1984 such a game-changer for guitarists
Joe Satriani recruits Peter Frampton, Steve Lukather, Mateus Asato, Cory Wong, Nili Brosh and more for G4 V6.0 Experience 2023
By Matt Owen published
Steve Morse, Alex Skolnick, Eric Gales, Andy James, and John 5 are also among the chosen players for four days of workshops, mentor sessions, exclusive live performances and other six-string activities
50 years of Ibanez in the USA: the unstoppable rise of the pioneering Japanese guitar brand
By Chris Gill last updated
How the Ibanez brand evolved in lockstep with guitar culture, leveraging artist partnerships to make new breakthroughs in design, sound and performance
Joe Satriani: “It’s important to really identify with the subject matter”
By Ellie Robinson last updated
18 solo albums down, Joe Satriani’s mind-bending musicality continues to evolve. On The Elephants Of Mars, he reaches new heights of narrative intensity
Joe Satriani on his love of Marshall amps: “If there was ever an amp that makes you feel self-conscious yet emboldens you to play like a giant, it’s a Marshall”
By Henry Yates published
The virtuoso on the sound that made him stop in his tracks – and also realize that there was no hiding place at high volume
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