Electro Harmonix
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A guide to everything David Gilmour used on his new solo album, Luck & Strange
By Henry Yates published
Gilmour's tech, Phil Taylor, provides GW with an exhaustive list of the guitar gear used to record the prog icon's first solo album in nine years – and there are some surprising pieces of kit

Billy Corgan shares his pedalboard secrets, including the $1,000 pedal he stole from his dad
By Andrew Daly published
The Smashing Pumpkins bandleader reveals that though his relationship with guitar effects has changed over the years, there's still a place in his heart for them, especially the Warm Audio Warmdrive

He’s jammed with Tony Iommi, recorded at Abbey Road, now he’s cooking up hairy stoner riffs with Torus – and Alfie Glass is just getting started
By Phil Weller published
Torus’ self-titled debut album is a feast of mammoth riffs, gnarly energy and grooves that will stick in your brain, and one for all you fuzz freaks seeking “a bold, no B.S. rock sound”

JHS’ Flight Delay bucks the trend of complicated delays by delivering 3 effects in a simple pedal
By Matt Owen published
Delays inspired by classic EHX, Boss and Line 6 units have been crammed into the easy-to-use stompbox, which promises to give you “easy access to sounds almost immediately”

“Delightfully gnarly tones”: Electro-Harmonix Lizard King Octave Distortion review
By Chris Gill published
Voiced for bass but awesome on guitar, this pedalboard Godzilla might just take the crown as this year's must-have octave fuzz

Why the ’70s was a time of innovation and folly for guitar gear
By Chris Gill published
The ’70s gets a bad rep from some guitarists but it's too easy to say this was a bad time for Gibson and Fender and that's the story. There were some real treasures and technological breakthroughs

Los Bitchos guitarist Serra Petale on repurposing ’80s sounds and the tone so good she wanted to eat it
By Phil Weller published
Talkie Talkie is a fun sophomore album featuring stellar tones and hooks from London's most exuberant stompbox enthusiast. She explains why the chorus is sad but human – and always on

Wes Borland’s Limp Bizkit amps and pedals have made available as a signature Tonality plugin
By Phil Weller published
Featuring three amps, five pedals and some meticulously crafted digital speaker cabinets, the plugin bottles Borland’s live rig for the digital realm

Beloved by Pat Travers and Adrian Belew, the A/DA Flanger was one of the greatest guitar effects of the ’70s
By Chris Gill published
An original pedalboard classic, the A/DA Flanger was the first to sound like true tape flanging – with sounds ranging from the conventional to the esoteric
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