Latest about Lessons
Learn the soloing strategy that T-Bone Walker, B.B. King and Albert King all used, and will instantly make your blues solos sound more pro
Jim Oblon drops some blues science, demystifying the practice of alternating between parallel minor and major pentatonics
Jared James Nichols shows you how to use call-and-response blues phrasing
This Blues Power-up for your playing will help your solos speak to the audience
How to play incorporate neoclassical, Danny Elfman-style arpeggios in your playing
Classical-style arpeggios meet Gypsy jazz-flavored minor melodies in this exclusive video lesson from Andy Wood that’s inspired by Elfman’s soundtrack work for Tim Burton
Joe Bonamassa pays tribute to Lowell George – and his legendary Dumble
JoBo shares his Holy Grail amp and some ideas for how you can get into a slow blues solo (and how to get out)
Everyone from Metallica to jazz pros have made use of the ominous sound of the Locrian mode – here's how it could shake up your guitar playing
The Locrian mode is the seventh and darkest mode derived from the major scale. Stuart Ryan takes you through the structure of the scale and gets creative with some rhythm and lead examples
TrueFire launches its free 10-week guitar Boot Camp today – and you don’t even need to provide credit card details to sign up
Unlock your playing potential over the next 10 weeks with weekly lessons, Zoom sessions, feedback on your progress and more
Joe Bonamassa shows you how to get more tones from your Gibson Les Paul
The blues hero shares six lead guitar examples that demonstrate the versatility of the Gibson Les Paul’s pickups, volume and tone controls
How to blend rhythm and lead blues guitar like John Mayer and Stevie Ray Vaughan
Listen to SRV, Mayer and Jimi Hendrix and you'll hear players who are masters of mixing rhythm and lead – an invaluable skill for anyone in a jam. We look at four ideas for upping the ante in your blues rhythm game
How inverted boogie riffing can shake up your blues
Jim Oblon shows us the tricks behind inverted boogie riffing – and the best part is you don’t have to stand on your head to play it
Jimi Hendrix, David Gilmour and Slash all love Aeolian – the minor mode that rules over them all. Here’s what makes this scale work
Jimi Hendrix, David Gilmour and Slash are just three of the countless fans of this staple minor mode. Here, Stuart Ryan takes you through the structure of the scale, plus a handful of chords, riffs and licks
