“Faithful reproductions at affordable prices miles below their vintage counterparts”: Warm Audio Warm Bender and RingerBringer review

Warm Audio's latest hot plate of vintage-inspired effects pedals presents us with a three-circuit Tone Bender-style fuzz and an all-analog Moog-inspired ring mod – and an abundance of mojo for our 'boards

Warm Audio RingerBringer
(Image: © Warm Audio)

Guitar World Verdict

These new additions to Warm Audio’s growing line offer a tasty variety of coveted fuzz effects for traditionalists (Warm Bender) to trippy ring modulation for defiant experimentalists (RingerBringer) at affordable prices miles below their vintage/used counterparts.

Pros

  • +

    Authentic classic Tone Bender fuzz tones.

  • +

    Three distinct fuzz circuits.

  • +

    Sag switch emulates distinctive “dying battery” effects.

  • +

    Ringerbringer is accurate repro of Moogerfooger.

  • +

    Versatile output/input jack section for use with external synths and controllers.

  • +

    Stellar ring modulator tones and effects.

Cons

  • -

    No easy-access battery compartment.

  • -

    Warm Bender loses note definition of chords at high-gain settings.

  • -

    Ring modulation won't suit traditional-minded players.

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

Since the company’s launch in 2011, Warm Audio has provided recording studios with reasonably priced alternatives to classic highly desirable, rare and expensive mics and processors. 

A few years ago, Warm Audio added guitar effects to its product line that follow a similar philosophy, providing musicians with affordable, high-quality reproductions of discontinued classic pedals that have become prohibitively expensive on resale and vintage markets.

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Chris Gill

Chris is the co-author of Eruption - Conversations with Eddie Van Halen. He is a 40-year music industry veteran who started at Boardwalk Entertainment (Joan Jett, Night Ranger) and Roland US before becoming a guitar journalist in 1991. He has interviewed more than 600 artists, written more than 1,400 product reviews and contributed to Jeff Beck’s Beck 01: Hot Rods and Rock & Roll and Eric Clapton’s Six String Stories.