Guitar World Verdict
The Monumental is not cheap, but it should do just about everything that you’d want a tremolo pedal to do... Monumentally flexible and practical.
Pros
- +
More tremolo than you could ever want.
- +
Tap tempo.
- +
Programmable presets make life easier.
- +
Stereo operation.
Cons
- -
It is pricey.
You can trust Guitar World
Walrus Audio doesn’t stand still, and the company likes to revisit its pedals with the aim of bringing out enhanced versions. The Julia chorus pedal led to the Julianna and the Slö reverb begat the Slöer; now we have the Monumental Harmonic Stereo Tremolo, based on its mono Monument sibling.
The Monumental can accommodate mono, stereo in/stereo out and mono in/stereo out operation. It also sports three easily-recalled onboard presets and extends the Monument feature set by increasing the number of waveshapes and the timing divisions for the tap tempo footswitch which now, has a secondary function (when held) of ramping the tremolo speed up and down for rotary speaker style speed changes.
Also new is the ability to morph between standard tremolo and the phasier harmonic tremolo found on a small range of vintage Fender amps, adding a new range of flavours.
The various waveshapes and wide-ranging rate and depth knobs combine to dial in exactly what you need. The sine shape gives the most classic examples of rounded tremolo pulse and throb, while the square wave lets you dial in sharp on/off sequencer-style sounds.
You also get asymmetrical sawtooth waves, the nicely rounded ‘Bumps’ and Random, which is exactly that, maybe not conventionally musical but ready to play its part if you want to freak out.
While all work brilliantly in a standard mono pedal chain, anyone who gets the chance to use this pedal in stereo will be knocked sideways by the extra sense of depth and movement as the tremolo spreads across the stereo field, all controlled by a ‘Pan’ knob to set the stereo width.
Tap tempo and speed ramping give you decent performance tools from the get-go but you can add an expression pedal if you need more.
Okay, the Monumental is not cheap but it should do just about everything that you’d want a tremolo pedal to do and it’s perfectly set up to undertake that during a gig with your chosen preset sounds ready and waiting, and a tap tempo to keep everything in sync with the rest of the band.
Specs
- PRICE: $279 / £269
- ORIGIN: USA
- TYPE: Tremolo pedal
- FEATURES: True bypass, three onboard presets. Tap tempo, Ramp function, available in orange/copper or black
- CONTROLS: Volume, Shape (Sine, Square, Saw, Ramp, Bumps and Random), Pan, Rate, Depth, S/B/H switch (Standard/Both/Harmonic), Division button (quarter, quarter triplet, eighth, eighth triplet, sixteenth), internal dip switches for Tap/Exp, Tap/Ramp footswitch, Bypass footswitch
- CONNECTIONS: Standard inputs Mono + Stereo, standard outputs Mono + Stereo, Tap/Expression pedal input
- POWER: 9V adaptor (not supplied) 100mA
- DIMENSIONS: 122 (d) x 72 (w) x 67 mm (h)
- CONTACT: Walrus Audio
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.
“I don't have a vast collection of notable guitars, but I'm open to that idea”: Tom Morello’s ‘Arm the Homeless’ guitar is one of his most iconic instruments – and it could be revived as a signature run
“Everyone knows Take My Breath Away, the chart-topping ballad from Top Gun. But there’s a good chance you haven’t heard this seven-minute anthem”: David Gilmour's 10 greatest guitar guest appearances, from folk legend Roy Harper to Paul McCartney
“The crowd got ugly – they were just being assholes, throwing mud at us the whole set, hitting us hard on our bodies and on our guitars”: Donita Sparks tells the story of L7’s infamous set at 1992’s Reading Festival