“Any clean tone would benefit from some Airchild tonal enrichment”: J Rockett Airchild 660 review

J Rockett’s latest offering for your ’board takes its inspiration from a legendary compressor from the ’50s

J. Rockett Audio Designs Six Sixty
(Image: © Future / Phil Barker)

Guitar World Verdict

We didn’t have a Fairchild 660 lying around to compare it to, of course, so we can’t comment on how close to one the Airchild sounds. But we can say that signal enhancement opportunities abound via a combination of compression, boost and EQ, making this is a quite excellent pedal for guitar sound and more than likely one that you won’t want to turn off.

Pros

  • +

    Solid build quality.

  • +

    Compact size.

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    Quality compression.

  • +

    Dry blend control.

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    Effective EQ.

Cons

  • -

    Nothing to see here!

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

The Fairchild compressor was designed in the 1950s and is still in use in top-flight professional studios these days (Abbey Road has several). In fact, it may just be the most highly regarded compressor ever made.

The 660 (single-channel) and 670 (twin-channel) Fairchild units are large, intricately engineered boxes that are full of many valves and transformers, although that hasn’t daunted J Rockett, who describes its Airchild 660 – a stompbox barely big enough to contain a single valve or transformer! – as a sonic interpretation of the famous compressor.

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Trevor Curwen

Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.