“You can dial in a potent boost, but also set the pedal to use purely for tonal tweaking”: Electro-Harmonix LPB-3 review

EHX serves up boost with an EQ section for powerful tonal shaping from a compact pedal

Electro-Harmonix LPB-3 Linear Power Booster
(Image: © Future / Phil Barker)

Guitar World Verdict

Whether permanently engaged as a tone conditioner or set to change things up when needed, the LPB-3 is a versatile boost pedal that can shape your entire tone.

Pros

  • +

    Two levels of max boost.

  • +

    Lots of tone-shaping power.

  • +

    Very versatile – can be used as an EQ without boost.

  • +

    Compact and reasonably priced.

Cons

  • -

    Not much but be warned, a little goes a long way with the EQ.

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

Back in the late ’60s – before the Big Muff – Electro-Harmonix came up with a nifty way to boost guitar signal into a guitar amplifier with its LPB-1 Linear Power Booster, a simple one-knob, battery-powered device.

Now, the company has brought the LPB family right up to date with the much more sophisticated LPB-3, still with the same role of boosting the signal from guitar to amp, but this time with some powerful active EQ to complement the boost.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year 

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Trevor Curwen

Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.