“When you want the sound and versatility of a big amp but don’t want to deal with more volume than you need”: Blackstar HT Series MK III HT-1R, HT-5R and HT-20RH review

New look, same great tone? The third generation of Blackstar’s compact tube amp series is more than just a makeover – please welcome CabRig speaker emulation to the party

A blackstar HT20RH MK III head on a studio desk
(Image: © Blackstar)

Guitar World Verdict

When you want the sound and versatility of a big amp but don’t want to deal with more volume than you need or the hassles of hauling a heavy boat anchor around, Blackstar’s new HT Series MK III amps provide a range of useful options for recording, practice and performance applications of musical styles.

Pros

  • +

    Great variety of clean and overdrive tones.

  • +

    Standard EQ and ISF voice options.

  • +

    Two-channel operation.

  • +

    Realistic, organic tones when recording direct.

  • +

    Channel/voice footswitch is included.

Cons

  • -

    Back panel jacks on the combos awkwardly face downwards.

  • -

    LEDs are outrageously bright.

You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we test.

There will always be a time and a place for big, powerful 100-watt tube amps, but for a vast majority of guitarists today a smaller amp is much more practical for everyday recording, practice and performance applications (in other words pretty much always unless you’re playing at the Megadome Super Stadium, and even then most can do just fine by mic'ing a smaller amp through the PA).

For many years now, the Blackstar HT Series has offered guitarists a compelling variety of small guitar amps of various sizes that are packed with cool features and a plethora of useful tones.

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Chris Gill

Chris is the co-author of Eruption - Conversations with Eddie Van Halen. He is a 40-year music industry veteran who started at Boardwalk Entertainment (Joan Jett, Night Ranger) and Roland US before becoming a guitar journalist in 1991. He has interviewed more than 600 artists, written more than 1,400 product reviews and contributed to Jeff Beck’s Beck 01: Hot Rods and Rock & Roll and Eric Clapton’s Six String Stories.