Why did John Lennon “steal” the Get Back solo from George Harrison?
The story behind the impressive guitar work on the Beatles classic
We all know that intra-band relations were far from rosy in the Beatles camp by the time they were recording Let It Be in 1969.
From a guitar perspective, at least, this led to one of the more interesting moments in the band’s late period, with John Lennon, traditionally the band’s rhythm guitarist, taking over the lead slot from George Harrison for standout cut Get Back.
As for why?
As revisited in an article on Cheatsheet, Harrison had walked out of the studio. Rather than wait around for him to come back, Lennon merely played the lead guitar, including the solo, himself.
You can see John do as much when the Fab Four convened to play the song, along with a few others including Dig a Pony and Don't Let Me Down, live on the rooftop of Apple Records on the afternoon of January 30, 1969 – their final performance ever.
George, custom rosewood Fender Tele in hand, doesn’t exactly looked thrilled as John picks away at his Epiphone Casino.
But John, for his part, wasn’t shy about boasting of his, we’ll admit, rather impressive handiwork on the song.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
When Get Back was released as a single, McCartney wrote a little something for the press advertisements, which included the following joke-y (we think?) snippet:
“We were sitting in the studio and we made it up out of thin air... we started to write words there and then... when we finished it, we recorded it at Apple Studios and made it into a song to roller-coast by.
“P.S. John adds, it's John playing the fab live guitar solo.”
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.
“We’re doing my first-ever gig with Nirvana on SNL. What I didn’t know was there was a discussion about my guitar like, ‘No, we can’t let him on stage’”: Pat Smear’s first Nirvana appearance almost didn’t happen – because of his guitar
“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique