Welcome to our weekly new music roundup, a new feature we'll be doing here on GuitarWorld.com where we collect several new tracks that have debuted over the course of the past week -- whether we got around to posting about them or not -- all in one place so you can catch up over the weekend.
This week, the big news was, of course, a new track from Van Halen, "Tattoo," the first single off the band's long-awaited new album, A Different Kind of Truth. We also got a "new" Doors song, two new tracks from Animosity-era Corrosion of Conformity and a Neoliberal anthem from Anti-Flag.
Van Halen, "Tattoo"
The Doors, "She Smells So Nice"
Corrosion of Conformity, "The Doom" and "Time of Trials"
Napalm Death, "Leper Colony"
Lee Ranaldo, "Off the Wall"
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Anti-Flag, "The Neoliberal Anthem"
The Shins, "Simple Song"
Wavves, "Hybrid Moments" (Misfits cover)
My Ticket Home, "Who Is 67?"
Primal Rock Rebellion, "I See Lights"
Nada Surf, "When I Was Young"
Mind Spider, "Wait For Us"
Aborted, "The Origin of Disease"
Beneath the Massacre, "Left Hand"
Terrorizer, "Subterfuge"
The War on Drugs, "Don't Fear the Ghost"
Rage, "Twenty One"
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.
“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique
“It would've been almost two hours to get home in traffic. I said to myself, ‘You’re here. Just write a song.’ Within 30 minutes, Pumped Up Kicks revealed itself to me”: How a ’59 Jazzmaster and capture-the-moment attitude keep Foster the People in gear