NAMM 2024: “1967 is back!” Vox turns back the clocks with recreations of the first-ever production wah pedals
The Real McCoy and V846 Vintage don’t bother with fancy reimaginings – they’re ‘as they were’ builds based on its now-timeless ‘60s invention beloved by Jimi Hendrix
Vox has continued its recent slew of releases with one that looks backwards rather than forwards – in the best way – as it faithfully recreates the first two production wah pedals. They come in the form of VRM-1 and the V846 Vintage and both will be on display at NAMM 2024.
Nicknamed ‘The Real McCoy’, the VRM-1 is a “meticulous recreation of the original wah pedal” produced by Vox in 1967. The pedal was created to emulate Clyde McCoy's trumpet mute technique, although it became an iconic beast unto itself when paired with an electric guitar, with Jimi Hendrix and Clapton quickly finding new ways to express themselves with its rocker pedal.
It was later paired with other instruments. Geezer Butler used one to create Black Sabbath’s iconic intro of N.I.B, while saxophone players also began using them, including several players who performed with Frank Zappa.
The VRM-1 aims to be something of a time capsule piece, recreating the tonality of that first-ever wah pedal and its nasally tone. To achieve that, it accentuates the midrange for a warm and melodic sound that carefully underscores the articulation of each note.
There’s also a VRM-1 Limited, which contains the same hand-selected hardware and vintage craftsmanship but in a sparkling all-chrome finish which makes it look surprisingly space-age.
The V846 Vintage, on the other hand, is an “authentic recreation” of its follow-up, the second-ever production model wah. Tonally, this pedal, and Vox’s brand-new recreation of it, is characterized by an extended sweep range, with extra focus placed upon its high frequencies for a sharper, more biting effect.
The triple whammy of releases has led to Vox claiming that “1967 is back!” While it clearly isn’t – I mean, you’re reading this on the internet – it adds that the pedals feature “hand selected and custom designed parts” which “make for a perfect reproduction of the sound of these two iconic pedals.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Naturally, the use of “premium” parts means these faithful regenerations don’t come super-cheap. The regular versions will cost £279 (approx $350), while the fancy chrome edition of the VRM-1 is a little extra at £329 (approx $415). That makes it more expensive than your average Jim Dunlop wah (circa $125) but will you have the same vintage kudos as you would with these new Vox offerings?
Vox has had a busy week. It's already announced the Gerry Anderson-looking APC-1 guitar, a guitar with a built-in speaker, rhythm machine and effects unit. It's also unveiled the latest additions to its amPlug range, with pocket-sized British and American replicating amps, alongside two bass models.
For more information about Vox’s full wah pedal range, head to Vox.
To keep up to date with all the latest gear releases ahead of NAMM 2024, head over to our guide to the latest NAMM 2024 news.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
“This is why we want to show up at NAMM”: Marshall is returning to NAMM for the first time in 5 years – and has teased some blockbuster launches
“If I hadn't met Randy Rhoads, I wouldn't be sat here right now”: Ozzy Osbourne’s all-star Rock and Roll Hall of Fame induction ceremony pays tribute to the guitar icon – as Wolfgang Van Halen taps through the Crazy Train solo