Try TIDAL free for 30 days – stream your favorite guitarists for nothing
Plus, save up to $50 on TIDAL's annual plans
Streaming has revolutionized the way we listen to music. With so many millions of songs at our fingertips it can be easy to forget that often the music is beamed into our ears at a lower quality than the artist intended.
Streaming service TIDAL was launched in 2014 and stepped into view properly when Jay-Z bought it a year later, promising more content and better rates paid to musicians who support the site.
Fast forward to today and the service offers two subscription tiers: Premium gives you access to over 60 million tracks and loads of other great content, while HiFi gives you all this plus lossless CD quality audio.
What's more, between now and 30 March, TIDAL is offering music-lovers the opportunity to sign up for a 30 day trial, with the option to cancel at any time.
Try TIDAL for 30 days, completely FREE
No catch. Simply sign up, listen to some tunes, create some playlists and see what you think after 30 days.
You can save up to 20% off TIDAL’s annual plans too. Opt for a TIDAL Premium subscription and you’ll pay just $89.99 per year, compared with the usual $119.89. That’s a $3 saving per month.
TIDAL's HiFi subscription is getting in on the action too, with almost $50 off the usual $239.89 annual price tag. Right now you can snap it up for just $189.99, which means a monthly saving of $4.
This is an offer too good to miss.
Save up to $50 with TIDAL’s latest annual plan discounts
Get $30 off TIDAL Premium, paying just $89.99 for a full 12 months. For a more supercharged listening experience, TIDAL’s HiFi plan is currently available with a $50 discount for the year.
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I'm Guitar World's eCommerce Editor. In addition to testing the latest music gear, it's my job to manage the 200+ buyer's guides on the site and help guitarists find the right gear and the best prices for them. I've been a guitar player for 30 years and a drummer for almost 20. I've worked in the music gear industry for 20 years, including 7 years as Editor of the UK's best-selling drum magazine Rhythm, and 5 years as a freelance music writer, during which time I worked with the world's biggest instrument brands including Boss, Laney and Roland.