“The other bands had a top-notch Yngwie-level player, and that’s what I was trying to be. If some awful gig already has two of those dudes, it doesn’t need a third”: Tom Morello on the throwaway club show that changed his guitar playing forever
Morello pinpointed the moment that encouraged him to adopt a new approach to the guitar, which would influence his trailblazing work in Rage Against the Machine and beyond
Tom Morello has had a busy few weeks. He’s dropped a surprise single with Def Leppard, announced his first solo rock album, and been gifted a guitar from While She Sleeps’ Sean Long. Now he’s opened up on the moment that changed his guitar playing forever.
In a new conversation with Guitar Interactive Magazine at Download Festival in the UK, the Whammy-loving electric guitar trailblazer discusses what proved to be a pivotal turning point in his career.
“I was playing solos that sounded like every other heavy metal guitar player. I was really great at it and it didn't matter at all,” he reflects. “So, rather than being a musician, I concentrated on being an artist. Instead of trying to be famous, I made music that was completely authentic.”
As for the moment that encouraged him to pivot away from traditional shredding in favor of the style he is now known for today, he continues: “It was really in the earliest years of Rage Against The Machine that I began to self-identify as a DJ.
“We were opening up for two cover bands in a college on a Wednesday afternoon – a throwaway gig. At soundcheck each of the other bands had a top-notch Yngwie Malmsteen-level shredding guitar player, and that’s what I was trying to be.
“If some awful gig already has two of those dudes, it doesn’t need a third hamster running on that wheel.” His solution? Practice making mistakes.
“I started practicing guitar eight hours a day. I started practicing mistakes. I started deconstructing the instrument. It was just a piece of wood with some wires and some electronics.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“And if I can make a noise, then that noise can be the centerpiece of a song or a solo. That was the moment I stopped being a musician and started being an artist.”
That 'eight hours of practice a day' mantra is something Morello has often spoke of over the years.
It’s a work ethic his son, Roman, has taken on board. Morello Sr. has already said how his son can “shred circles around him” on the guitar. Now he’s set to feature on the first single from Tom Morello’s forthcoming solo album.
“There's a shredding guitar solo on there. I wish I could say it was me,” he says of the track. “During lockdown when everyone was baking bread, he was putting in his eight hours a day.
“One day I was walking by his bedroom and he was playing these awesome drop D riffs. He said, 'Dad do you think these riffs go together?' and I was like, 'Yeah! Those riffs go together, let's do this.'
“So he wrote the riffs, and did the solo as well and it's the heaviest single I've released in some time.”
The song, called Soldier in the Army of Love, will drop on June 28, with the full album due for release later this year.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
“When Chicago hit the scene, it stuck out like nothing else”: Steve Vai lays down a smoking alternative solo for South California Purples in this rare fret-melting guest spot at Chicago’s Live at 55 show
Paul McCartney joined by Jack White and St. Vincent for a raucous rendition of The Beatles’ The End during record-breaking set at Mexico’s Corona Capital Festival