Watch the Linda Lindas "blow the roof off" of another Los Angeles library in NPR Tiny Desk performance
The quartet – all aged 11 to 17 – tore through songs both old and new at a Ramones-like pace at the Los Angeles Central Library
The Linda Lindas – an LA-based quartet comprised of Bela Salazar on electric guitar, Eloise Wong on bass guitar and vocals, Lucia de la Garza on guitar and Mila de la Garza on drums (all aged 11 to 17) – first came to the world's attention last May, when a ferocious performance of their song, Racist Sexist Boy at a Los Angeles public library went viral.
Recently, the quartet returned to the LA library setting – the Los Angeles Central Library, for those taking notes – to film a typically tight and energetic, five-song NPR Tiny Desk (home) set. You can check it out below.
In it, the band run through five tracks – Growing Up, Talking to Myself, Why, Cuántas Veces and, of course, Racist, Sexist Boy – all of which feature on their recently released full-length debut, Growing Up.
These run the gamut from the buzzy, airtight pop-punk of Growing Up to the beautiful, mid-tempo Cuántas Veces. Lucia jokingly encourages her bandmates to "blow the roof off" prior to Racist, Sexist Boy, but sarcasm aside, that's exactly what they proceed to do.
The Linda Lindas were prominent members of the recent Fender Next Class of 2022, and indeed Wong, Salazar and Lucia de la Garza are all armed with a revolving door of Fenders throughout (special props in particular must be given to the amazing-looking custom Acoustasonics Salazar and Lucia use on Cuántas Veces).
It's not just Fender that the group have already impressed in their young career, either.
Their viral Racist, Sexist Boy performance won praise from the likes of Tom Morello, Thurston Moore, Hayley Williams and Questlove, and got them a deal with Epitaph, which went on to release Growing Up.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
The Linda Lindas also won the admiration of Kathleen Hanna, who told Guitar World in an interview last year – after they wore T-shirts made by Hanna's Tees4Togo business during the aforementioned viral performance – that she was "thrilled to be in any way associated with" the band.
To pick up a copy of Growing Up, stop by the Linda Lindas' website.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
“I remember my dad saying, ‘There’s no ambience, Brian. I don’t feel like I’m in the room with you playing next to me’”: Why Brian May and Queen were unhappy with their debut album – and how the newly revamped version fixes the “very dry” guitar parts
“He wasn’t very nice to anybody. I could hear my mom saying, ‘Are you really going to spend the next 15 years of your life with this man?’” Stevie Nicks pinpoints the moment she knew Lindsey Buckingham had to be axed from Fleetwood Mac