“I can’t play without looking at the dots”: Soul guitar icon Steve Cropper explains why he still looks at the fretboard after nearly 70 years of playing – and reveals he’s tapped Brian May and Billy Gibbons for his new album
The Booker T. & The M.G.’s founder has opened up on his reliance on inlays, and name-dropped two huge guest stars for his upcoming as-yet-unannounced record
Session heavyweight and soul guitar legend Steve Cropper has dropped an interesting revelation: after nearly 70 years of influential guitar playing, he still looks at his fretboard inlays to navigate his instrument.
The Missouri-born 82-year-old guitarist helped found the famed Stax Records house band, Booker T. & The M.G.’s, and has contributed parts, songwriting, and production to countless iconic hits, such as Soul Man and Sittin’ On The Dock Of The Bay.
But in an upcoming interview with Guitar World, the guitarist opened up on his reliance on inlays to help him move around the fretboard of his guitars.
Cropper made the admission when discussing In the Midnight Hour and Knock on Wood – two tracks he co-wrote, Cropper once told Ronnie Wood, by simply “following the dots”.
His penchant for following the dots goes beyond his songwriting, though, with Cropper observing he still uses the humble inlay as a point of reference for moving between guitars.
“It’s true about following the dots. Every guitar has one and they're basically all in the same place if you look at the dots. I can't play without looking at the dots.” he admits.
“I just play what's needed. I use the guitar as a tool rather than as an instrument. I had to use whatever was called for on a day during a session.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“Somebody asked me one time, ‘How come there's only one guitar on most of the songs?’ I replied, ‘Because we couldn't afford two guitar players in those days.’ It was hard enough just to have three horns on the songs.”
In his upcoming interview, Cropper also revealed he is set to return with his 12th studio album, and the record will feature two high-profile guest artists: Billy Gibbons and Brian May.
“The new album is much like 2021’s Fire It Up album, which got nominated for a Grammy,” he reveals. “I don’t know when we're going to release it, but it's mostly done, all written... the record company already has it and they love it.
“It's got Billy Gibbons playing on it and Brian May from Queen. Brian plays on one song while Billy plays on 11 of the 13 songs.”
Keep your eyes peeled on GuitarWorld.com for the full Steve Cropper interview, in which he recalls classic studio sessions with Otis Redding and Sam and Dave.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
“I stopped caring what people thought. I stopped trying to sound like other people and my sound emerged. It was literally timed with my transition”: Ella Feingold gigged with Erykah Badu and jammed with Prince, but her transition made her a player
“A lot of my peers have turned to modelers. I’m not there yet. It still feels like an electronic toy to me”: Jerry Cantrell on his love of guitar duos, vibing off Jeff Beck on his solo album – and why he remains a digital tone skeptic