“It's meant to be a noise gate... It actually makes it noisier when it shuts off”: That time Steve Albini listed all of his worst pedals and why he hated them
The influential guitarist and engineer had a few recommendations for your ‘don’t buy’ list
It has somehow been almost three months since we lost Steve Albini. July 22 would have marked the influential engineering icon’s 62nd birthday.
In honor of his memory, the team at EarthQuaker Devices recently shared a clip from their 2019 trip to Albini’s Electrical Audio studio, in which Albini talks through “the worst pedals” he ever owned – all still preserved in his collection.
It’s fair to say that Albini had his own rigorous standards, but he was never a brand snob, or your typical tonal cork-sniffer. Indeed, if anyone could find a use for cheap or noisy pedals, it would be him.
However, there is a line between ‘unwieldy’ and ‘useless’ – and Albini offers some typically acerbic commentary for his rogues gallery of stompboxes.
Among the units singled out for criticism are a generous handful by notorious budget pedal brand Walco.
“This is the Acoustic Feedback Eliminator – it’s supposed to be a noise gate. It is not a noise gate,” assesses Albini [at around 22.40]. “It shuts off the sound with a violent clack whenever you stop playing… The speed at which it opens [back] up is never less than about half a second.”
The pink Walco Fuzz Tone Generator is, in turn, dubbed, “The worst fuzz tone ever.” “It makes your guitar a lot quieter,” observes Albini. “Why would you do that?”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Then there’s the Treble Expander, which was intended to be mounted on your guitar strap, enabling you to make incremental adjustments from the comfort of, well... your guitar strap. “To get it just right,” says Albini.
If that seems innovative, you’ll also love the yellow mystery box from Walco – one with a male jack connector sticking directly out of the bottom.
“This one plugged into your amplifier,” says Albini. “And then you would have this control – on your amplifier – where you couldn't reach it when it wasn't working correctly.”
A post shared by EarthQuaker Devices (@earthquakerdev)
A photo posted by on
Albini also reserves a special mention for the Walco Bass Treble Expander and a tremolo attempt called the Sound Go Round that he describes as “completely unusable”.
Outside of Walco’s venerable line-up, Albini spares some ire for his Guyatone Noise Defender, which he purchased in 1989 while on tour in Japan, alongside a knock-off Fuzz Tone.
“This Noise Defender is is meant to be a noise gate but it actually makes it noisier… When it's open it sounds like a guitar, but when it shuts off it hisses. I don't think that's intentional,” he adds.
“The cheapest fuzz tone in the shop was called the Jazz Fusion pedal. As a combination, I traveled the farthest and wasted the most, in terms of percentage of value, on those two pedals – of any purchase I’ve ever made.”
So there you have it: some Alibini wisdom to bear in mind the next time you’re cruising for Reverb bargains.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Matt is Features Editor for GuitarWorld.com. Before that he spent 10 years as a freelance music journalist, interviewing artists for the likes of Total Guitar, Guitarist, Guitar World, MusicRadar, NME.com, DJ Mag and Electronic Sound. In 2020, he launched CreativeMoney.co.uk, which aims to share the ideas that make creative lifestyles more sustainable. He plays guitar, but should not be allowed near your delay pedals.
“Conjuring nightmarish soundscapes through a sinister blend of distortion and synthesis”: Jack White's Third Man Hardware teams up with Eventide on Knife Drop – a sub-octave fuzz and analog synth powerhouse of a pedal
“The crushing intensity, squalling lead tones, and chugging riffs of ’90s metal”: Jerry Cantrell’s Alice In Chains tone in a box for $110? Funny Little Boxes promises just that with the Dirt distortion