So we've been following the Century Media vs. Spotify story somewhat closely -- and yes, we promise we'll weight in with our very own op-ed piece soon -- and, after a highly-entertaining back and forth between Century Media and the guys at Metal Sucks, Spotify has now stepped up to the plate to respond directly to Century Media Records. You can read the statement below, courtesy of Digital Music News.
"We are sorry that Century Media have opted not to offer its music to their fans through Spotify. Spotify has one of the biggest music libraries in the world - of over 15 million tracks - and is committed to offering our users the widest possible selection of music across artists and genres from around the world."
"Spotify was launched out of a desire to develop a better, more convenient and legal alternative to music piracy. Spotify now monetizes an audience the large majority of whom were downloading illegally (and therefore not making any money for the industry) before Spotify was available."
"Spotify is now generating serious revenues for rights holders; since our launch just three years ago, we have paid over $100 million to labels and publishers, who, in turn, pass this on to the artists, composers and authors they represent. Indeed, a top Swedish music executive was recently quoted as saying that Spotify is currently the biggest single revenue source for the music industry in Scandinavia. "
"Spotify is now also the second single largest source of digital music revenue for labels in Europe (IFPI, April 2011). Billboard reported in April that Spotify territories saw an average digital growth rate of 43% last year. By contrast, neighbouring countries (without Spotify) saw only 9.3% digital growth."
"We are very proud of the positive contribution that Spotify makes towards growth in the music industry."
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Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.
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