“I played a Gibson SG Junior. It was the guitar I used in my punk band – when my apartment got broken into in New York, it got stolen”: Yes, Rick Rubin played the opening riff on Beastie Boys’ No Sleep Till Brooklyn – he looks back at recording a classic
While Kerry King's searing solo is the star of the show, Rubin sets the tone with his rhythm guitar work on the iconic rap rock track
Producer extraordinaire Rick Rubin played a pivotal role in popularizing hip-hop with his groundbreaking work with Run-DMC, Public Enemy, and LL Cool J. One of his key contributions to the genre is his work on Licensed to Ill, the Beastie Boys' debut album, which gave rise to the hard rock crossover No Sleep Till Brooklyn.
While Kerry King's blistering solo steals the spotlight, Rubin holds his own on rhythm guitar – including the now-iconic opening riff.
“It would have been a Gibson SG Junior,” Rubin tells Rick Beato, when asked what guitar he used for the session. “It was the guitar I had in my punk rock band, and that was still my guitar – and that's the guitar when my apartment got broken into New York, got stolen.”
Though Rubin describes his guitar part as “pretty rudimentary,” it helped set the tone for the rap-rock fusion from the start, and was designed to complement the rap and flow.
“That was recorded at Chung King House of Metal [the acclaimed New York studio that operated between 1986 and 2015, frequented by countless notable hip hop acts],” he recalls. “I think our focus really was on the words and the vibe of the raps. And in this case, it was just like a rock track. It was more like a vehicle for the vocals.”
According to Rubin, the blend of rap and rock felt “completely natural,” resulting from him being an avid fan of both genres.
“It was just no-one had done it. But it wasn't extraordinary in any way,” he says matter-of-factly. “In reality, a lot of people listen to all different kinds of music. This is the result of that, and the fact that it was popular tells you there were a lot of people who liked those two things, too.”
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Despite Rubin's assessment of his own skills, his guitar performances inspired a generation of artists, including The Darkness frontman Justin Hawkins, who cited Rubin as “one of the most inspirational guitar players of my childhood”.
Elsewhere in Beato's Rick Rubin interview, the producer reveals how he shaped the sound of Slayer’s Reign in Blood record by “playing Metallica as an example of what I thought was wrong”.
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Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“Be wary of trying to emulate guitar sounds from your favorite albums with just an amp in the room”: Ghost, Royal Blood and Pixies producer reveals “the biggest mistake guitar players make” when recording
“I played him Metallica as an example of what I thought was wrong”: How Rick Rubin shaped the sound of Slayer’s classic Reign in Blood record by ignoring heavy metal norms