FROM THE ARCHIVE: Steve Vai chooses (and discusses) the record that changed his life.
West Side Story
Original Broadway Cast Recording (1957)
I was about seven or eight years old when I first heard West Side Story, and it had a huge impact on me.
If you look at the elements of that record, it contains many of the things I enjoy doing today. It has history, melody (How can you compete with [Leonard] Bernstein and [Stephen] Sondheim?) and the lyrics are wonderful.
Along with its enchanting and exquisite melodies, West Side Story has attitude and a tremendous amount of frenetic energy. It's emotional, theatrical and technical. It's everything.
Because I was a young kid, that type of music represented a sort of freedom for me. It wasn't all groove- or beat-oriented, and it didn't fall within the confines of conventional pop song structures. These guys just did whatever the hell they wanted. When I first heard it, I thought, This is what music needs to be.
And you can see the influence in my approach. From the first note I ever recorded on my first solo record, I've made a very conscious decision to try and work outside of the box.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
NOTE: This is the trailer for the 1961 film version of West Side Story.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
“If he were just a pop guitar player, he would be a legend – this cat is arguably one of the greatest players to ever exist”: Cory Wong and Andy Timmons on the brilliance of George Benson, and his essential contributions to the guitar vocabulary
“You don’t want the soul to be detached from things because you’ll just have gratuitous shredding”: Marcus King on the current state of the guitar scene – and why there's hope for the future