It was only last week that Joe Bonamassa was discussing the “overwhelming” nature of his guitar collection, but now the music world’s foremost guitar collector has added yet another instrument to his mammoth catalog.
It’s not just any old guitar, though: his latest addition is one of Norman’s Rare Guitars' most prized electric guitars.
JoBo’s purchase was announced by the popular vintage guitar store’s official Instagram account, with a cryptic picture depicting the blues rock ace posing with Norman Harris holding a nondescript brown hardshell case.
No other details concerning the identity of the guitar were given at the time, save the tidbit that JoBo’s latest acquisition was taking home “one of Norm’s favorite guitars”.
Confirming the speculation of many commenters soon after, Bonamassa later revealed the guitar to be an original 1950 Fender Broadcaster – an ultra-rare model that starred in an episode of the store’s Guitar of the Day series last week.
A post shared by Normans Rare Guitars (@normansrareguitars)
A photo posted by on
This historic model is one the first examples of two-pickup electric guitar design ever, predating both the Nocaster and Telecaster tags that were later assigned to Fender’s flagship Broadcaster model, which was to be stripped of its original name owing to trademark issues with Gretsch.
Indeed, it was the Broadcaster – with the help of the slightly earlier single-pickup Esquire model – that paved the way for Fender’s electric guitar activity, becoming known as one of the first production-line solidbody electric models.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“This is a guitar that really is painful for me to sell,” Harris said in Guitar of the Day. “I’ve kept it all these years. It’s one of the cleanest Broadcasters ever. It’s beautiful.”
A post shared by Joe Bonamassa (@joebonamassa)
A photo posted by on
Harris went on to say that Bonamassa had been on the lookout for a Broadcaster for a while and had “dibs” on the instrument for sometime now.
“It doesn’t get any better than this,” he added. “This is one of the most important guitars I’ve ever sold. This is something I’ve had stashed for many years, and it’s just time to [sell] it.”
The guitar is in immaculate condition, having been previously owned and cherished by prolific studio guitarist Al Hendrickson, whose resume includes stints with Benny Goodman, Peggy Lee, Woody Herman, Elvis Presley, Bobby Darin and many others.
Since passing hands to Harris, it remained highly prized in the guitarist’s warehouse, resulting in a 73-year-old, all-original guitar that looks as though it was made just a few years ago.
But despite this pristine condition – it sounds absolutely gorgeous, too – it’s apparently only the second-best Broadcaster Bonamassa has supposedly encountered. The best, he says, belongs to Etta James and Paul McCartney guitarist, Brian Ray.
Regardless, it’s yet another high-profile addition to Bonamassa’s ever-growing guitar collection, which currently comprises approximately 500 guitars and 500 amps – bringing the total haul to around 1,100 to 1,200 pieces.
As you can imagine, this lends itself to some interesting logistical lifestyle changes: “People come to my house and they are overwhelmed, and it is overwhelming,” Bonamassa recently told Kenny Aronoff.
“If I went into it blind – not knowing what to expect or just seeing a few pictures on Instagram – the sheer magnitude of it all, would overwhelm even the most jaded collector,” he went on. “The difference is, I live there! So I wake up, I get my coffee and there’s hundreds of guitar amps around [me].”
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Matt is a Senior Staff Writer, writing for Guitar World, Guitarist and Total Guitar. He has a Masters in the guitar, a degree in history, and has spent the last 16 years playing everything from blues and jazz to indie and pop. When he’s not combining his passion for writing and music during his day job, Matt records for a number of UK-based bands and songwriters as a session musician.
“We’re doing my first-ever gig with Nirvana on SNL. What I didn’t know was there was a discussion about my guitar like, ‘No, we can’t let him on stage’”: Pat Smear’s first Nirvana appearance almost didn’t happen – because of his guitar
“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique