Gibson loses Firebird body shape trademark in EU court battle
50-year wait to apply for trademark cited as contributing factor
Gibson has suffered another defeat in its quest to secure trademarks for its body shapes in the European Union: after losing the trademark for the Flying V shape back in June, the company has now had its mark for the Firebird shape cancelled, too.
According to Guitar.com, the Cancellation Division of the EU Intellectual Property Office came to a similar conclusion regarding the Firebird as the Flying V, claiming it “does not consider this to be significantly different from the normal style of electric guitars”.
The fact that Gibson waited 50 years since launching the first Firebird models, first filing for trademarks in 2011, also contributed to the decision.
As with the Flying V case, Warwick and Framus owner Hans-Peter Wilfer brought the application against Gibson.
One of the more notable observations from the case was that even if guitarists can clearly identify a guitar outline, the more pertinent factor is whether it means anything to a non-player - which apparently it doesn’t, at least when it comes to the Firebird.
“Guitar body shapes may perhaps function as trademarks for a tiny club of expert and discerning guitarists, but not for the average amateur, who is the relevant public in assessing distinctive character in this case,” the EUIPO stated.
This decision only relates to the body shape as it appears on guitars; Gibson still possesses the trademark in all other areas, most notably merchandise.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
And, of course, Gibson’s trademarks remain in the USA, with the Flying V forming a key part of its ongoing lawsuit against Dean Guitars in the USA.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism from Cardiff University, and over a decade's experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“This is why we want to show up at NAMM”: Marshall is returning to NAMM for the first time in 5 years – and has teased some blockbuster launches
“We are dedicated to building a direct connection with the artist community in China”: Fender to open Shanghai Artist Showroom in its latest high-profile move in overseas guitar markets