Watch Fred Armisen demonstrate “the strumming styles of the world”
The musically minded comedian stopped by The Tonight Show and once again picked up his six-string for some sharply observed humor
![Fred Armisen guitar strumming styles of the world](https://cdn.mos.cms.futurecdn.net/GMkjTxTQun8eTMR6yfC22D-1200-80.jpg)
Fred Armisen was back visiting the The Tonight Show Starring Jimmy Fallon last week and, armed with an acoustic, used the opportunity to guide the host through “the strumming styles of the world”.
As you’ll see in the clip below [from about 3.30], Armisen warms-up with a few wryly observed guitar tropes. These include the playing position of “every guitar player on Instagram for the last two years” and noting all guitarists’ propensity to always –always – play Dsus4 after a D chord.
“I totally do that,” notes Fallon and, we suspect, so will every other player watching.
The comic, who is currently on the road with his show Comedy For Musicians But Everybody Is Welcome, then treats viewers to a guided tour of strumming styles from around the world.
In the process, he skewers the fast major/minor changes of Australian indie rock, England’s syncopated folk rock (“I saw her by the river bend / A statuesque silhouette…”) and the apparently Norwegian habit of playing “the guitar as if they’re showing you that they are playing the guitar”.
Later, he trundles through some languid Francophile fingerpicking, Scotland’s Celtic quarter notes and minor chords and South American ska. It is the sort of instantly skewering collection of stereotypes that will have guitarists of all stripes scurrying back to the basement to tear up songs.
It’s not the first time Armisen has given Fallon a crash course in guitar tropes, of course, having previously treated the host to some brilliant musical impressions of punk guitar through the decades...
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Matt is Features Editor for GuitarWorld.com. Before that he spent 10 years as a freelance music journalist, interviewing artists for the likes of Total Guitar, Guitarist, Guitar World, MusicRadar, NME.com, DJ Mag and Electronic Sound. In 2020, he launched CreativeMoney.co.uk, which aims to share the ideas that make creative lifestyles more sustainable. He plays guitar, but should not be allowed near your delay pedals.
![Jimmy Page (left) and Rich Robinson perform onstage at the Greek Theatre in Los Angeles in 1999](https://cdn.mos.cms.futurecdn.net/yoMW83DQWKSHo8NpetFwhX-840-80.jpg)
“The experience of our work with Jimmy in a vibrant, electric, mystical, and powerful perspective”: Unreleased Jimmy Page/Rich Robinson composition set to feature in upcoming deluxe version of Jimmy Page & the Black Crowes: Live at the Greek
![John Browne](https://cdn.mos.cms.futurecdn.net/Jx3Re93xKmqYCfE3DVnpzR-840-80.jpg)
“Metal suffers without dynamics. DADGAD can help without having to think about it. You can play chords that aren’t possible in standard tuning”: John Browne hasn’t played in standard tuning for 20 years. He explains why DADGAD is perfect for modern metal