Fender unveils Billie Eilish signature ukulele
Model is adorned with Eilish’s ‘blohsh’ symbol and boasts Tele headstock
Despite an astonishing number of product announcements this year, Fender is far from finished for 2020, as it launches a signature ukulele for pop music prodigy Billie Eilish.
Eilish’s signature concert-sized model features sapele top, back and sides, finished in matte black and adorned with the artist’s trademark ‘blohsh’ symbol.
Fender is promising a stage-ready instrument, thanks to Fishman Kula electronics, complete with volume, bass, middle and treble controls, and a built-in tuner.
Other features include a no-tie bridge, nato neck, walnut fingerboard, bone nut, and four-in-line, black-finished Tele headstock.
The ukulele was the first instrument Eilish learned, and continues to be her main writing and recording tool - Fender recently added six Billie Eilish songs to its Fender Play learning platform for others to learn.
“The ukulele was the first instrument I learned,” said Eilish. “It’s where I started writing, and where I found new ways of writing that I had never tried before. It inspires a different kind of writing.
“The rules of the ukulele are simple, and basically if you know three chords you can play almost any song. I hope my Fender Signature ukulele inspires people to start playing, and start writing; anyone can do it.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
The Billie Eilish Uke is available now for $299 - see Fender for more info.
It marks the latest addition to Fender’s rapidly expanding line-up of ukuleles, which was bolstered by Fullerton ukes in Tele, Strat and Jazzmaster shapes earlier this year.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism from Cardiff University, and over a decade's experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
Yngwie Malmsteen’s Rising Force changed the game with its jaw-dropping display of mechanical mastery, classical themes, and reckless, extended soloing – celebrate 40 years of his essential debut with this neo-class shred masterclass
“It’s been road-tested, kicked around, X-rayed… We’ve made a guitar that's adaptable to all situations”: Fender and Chris Shiflett cut no corners in creating the new signature ‘Cleaver’ Telecaster – a long-awaited replica of his Masterbuilt model
“A lot of my peers have turned to modelers. I’m not there yet. It still feels like an electronic toy to me”: Jerry Cantrell on his love of guitar duos, vibing off Jeff Beck on his solo album – and why he remains a digital tone skeptic