“When I met him, he didn't have an amp. He would use my Twin Reverb and turn it all the way up. And he would sound like B.B. King”: Joe Bonamassa recalls the times B.B. King borrowed his amp – and made it sound better than him

Left-Joe Bonamassa performs at Lumen Field on May 15, 2024 in Seattle, Washington;Right-American singer, songwriter and guitarist B.B. King (1925-2015) plays a Gibson ES-355 guitar live on stage at the Newport Jazz Festival in Newport, Rhode Island on 6 July 1969
(Image credit: L-Scott Legato/Getty Images;R-David Redfern/Getty Images)

Joe Bonamassa has recently recalled an era when B.B. King used to borrow his amp without any additional effects – and still sound bigger than Bonamassa himself.

“One of the things that I always noticed about the front guys, they always had a bigger sound,” says Bonamassa on the Jay Jay French Connection podcast.

“B.B. King, up until probably the last 15 years of his career, never travelled with an amp. You know, he had a twin back in the day for Live at the Regal. I can hear that. But in the '70s and '80s and early '90s, when I met him, like in '89 or '90, he didn't have an amp.”

“He would use my amp when we played with him because he just travelled with his guitar. So he would use my Twin Reverb and turn it all the way up. And he would sound like B.B. King. And it was a bigger sound than I got out of the Twin Reverb and I never understood that.”

Bonamassa credits B.B. King's fuller and distinct sound, to “manually manifesting the sound in his soul [and] in his mind through the guitar amp, so he would lighten up his attack. The amp would bloom, he would dig in.”

Elsewhere in the interview, Bonamassa also mentions how other blues guitar legends, like Albert King and Freddie King, did the same thing.

“And Albert King same thing you plug into whatever sound bigger than the band. Freddie King, same thing, Quad Reverb and you know, two finger picks, plug into whatever. It sounds like Freddie King, and it always sounded bigger than the band when it was like this.”

In a recent interview with Total Guitar, Bonamassa talked about what makes for a great blues guitarist, sharing it's “taking on influences that aren’t blues-based. It’s got to be something that’s a little bit off the main trail, you know?”

Bonamassa also recently showed his support for emerging jazz fusion guitarist Matteo Mancuso by inviting him up on stage in Berlin.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.