Here's a cool tapping run that starts on the high E string and moves across the neck to the A string.
It’s based around the A minor pentatonic box at the fifth fret and includes a couple of color tones added on the D and A strings, namely B and F#.
I tap with my middle finger and begin this lick by lightly flicking the string with the finger to get the sound going, basically doing a "phantom" pull-off to the A note at the fifth fret.
I then play a sequence that goes "hammer, tap, pull" and repeats as I move across the strings, initiating the first note on each lower string with a "hammer-on from nowhere" with my fret-hand ring finger. I do this a lot in my tapping forays.
You’ll notice I backtrack at a couple of points in bars 1 and 2 and move back to the previous string, which I do to extend the run. When doing this, I’ll tap the first note on the higher string.
I finish the lick by pulling off to the open A string, which I then lightly touch directly over the fifth fret to produce a high A natural harmonic, two octaves above the fundamental. I then decorate this final note with a whammy bar dip, shake and dive.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“He was able to make each note sound so big. When I formed my first trio the first place my mind would go was the sound of Leslie West’s guitar”: Jared James Nichols explains why Mountain man Leslie West was the “king of heavy”
Blues-rock legend Michael Landau has made harmonic changes his calling card – and this lesson in his sophisticated soloing style demonstrates how you can, too