It worked for the Beatles on Yesterday and it can work for you, too – here’s how to use the melodic minor scale to add intrigue to your songwriting and glide over minor chord progressions

A black-and-white image of Paul McCartney and John Lennon in striped suits, sharing the mic at Olympia Stadium, 1966.
(Image credit: Douglas Elbinger/Getty Images)

The Melodic Minor scale was used by Paul McCartney the basis for Yesterday and in jazz standard Autumn Leaves to create a sense of airiness. It works a treat when soloing over minor chords, too...

It is another great scale choice to use over Minor progressions. It’s not too dissimilar to the Harmonic Minor as it also features a Major 7th interval.

However, the challenge with this scale when initially trying to incorporate it into your playing, is getting used to its sound. The Melodic Minor spelt out is 1-2-b3-4-5-6-7, and it’s that 6th interval that supplies its almost Major tonality, and it’s this that can make it sound a little odd when first using it in a Minor scenario.

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Simon Barnard

Simon is a graduate of the UK's Academy of Contemporary Music and The Guitar Institute, and holds a Masters degree in music. He teaches, examines and plays everything from rock to jazz.