Exhausted all the conventional open tunings? Try the adventurous Aadd9 tuning: here are 5 chord shapes you need to know

Alan Gogoll poses with an acoustic guitar
(Image credit: Fred + Hanna)

Once you've whetted your appetite for open tuning experimentation, your acoustic guitar having long forgotten the vanilla pleasures of EADGBE, maybe it's time to try open Aadd9 (EAC#EBE).

This tuning is a bit more of a rarity, and is the main tuning used by Australian virtuoso Alan Gogoll.

The tuning has a wide open sound all of its own, with the brightness of a major 3rd interval (C#) and the richness of a 9th (B) giving the signature sound.

It won’t disrupt your neck/string tension much, either – simply drop the fourth string by a semitone and the third string by three semitones.

1. Aadd9

(Image credit: Future)

Use your second and third fingers to fret the notes on the sixth and third strings. Strum all six strings and let it ring!

2. Bsus2/4

(Image credit: Future)

This chord is created by moving the previous shape up by two frets. Try other fret positions, too.

3. C#madd9

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This time, instead of changing fret position, we’re moving the shape on the fifth and second strings.

4. Eadd9

(Image credit: Future)

If we barre across the top five strings at the 7th fret, a large Eadd9 chord is created.

5. Aadd9

(Image credit: Future)

This shape has a jazzier character to the opening Aadd9 thanks to a wider pitch range and fewer ringing open strings.

Jon Bishop

Jon Bishop is a UK-based guitarist and freelance musician, and a longtime contributor to Guitar Techniques and Total Guitar. He's a graduate of the Academy of Contemporary Music in Guildford and is touring and recording guitarist for British rock 'n' roll royalty Shakin’ Stevens.