How to play Come As You Are on guitar

Kurt Cobain of Nirvana performs live
(Image credit: Kevin Mazur Archive 1/WireImage/Getty Images)

Along with Smells Like Teen Spirit, Nirvana’s Come As You Are is routinely voted one of the greatest guitar riffs of all time – and that makes it essential learning for any guitarist.

Just two frets are required to play the riff, so it’s an ideal song for any players who have just picked up their first beginner electric guitar.

Kurt Cobain’s intro is played in D standard tuning (DGCFAD from low to high), so you’ll need to lower each string by a tone – that’s the same as two frets.

Guitar Lesson: Learn how to play Nirvana - Come As You Are - YouTube Guitar Lesson: Learn how to play Nirvana - Come As You Are - YouTube
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This tuning gives the guitar a darker tone, perfect for the brooding mood of the song – complemented by the use of an Electro-Harmonix Small Clone chorus pedal.

The riff only uses a handful of notes, yet is instantly recognisable – surely the mark of a true classic. These notes outline a two-chord progression, moving from Em at the 2nd fret to D5 in open position, with the root notes appearing on the sixth string.

Remember, this is a single-note line so the chords are implied, rather than played in full. The chords are joined together with an Eb note between them. Eb doesn’t really belong to either chord, so think of it as a momentary ‘passing note’. Use ‘down up’-style alternate picking, moving your hand from the wrist.

To nail the timing, it's worth noting that the first three notes come before beat 1, and the first 2nd fret E note lands on beat 1.

Nirvana - Come As You Are (Official Music Video) - YouTube Nirvana - Come As You Are (Official Music Video) - YouTube
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Key facts

  • Appears at: 0:00-0:16
  • Tempo: 120bpm
  • Key/scale: E minor
  • Main techniques: Alternate picking / passing notes
Steve Allsworth

Steve is one of the UK’s most versatile guitar players and professional music educators. He has toured and played for the likes of Mica Paris, Lily Allen, Ronan Keating, Lulu, Westlife and Lianne Rimes. Between performing in the West End and recording as a busy session musician, Steve also regularly writes for Total Guitar and Guitar Techniques magazines. He’s also BIMM London’s Head of LPW (Live Performance Workshop) and one of its senior guitar specialists. He loves to share his knowledge and passion for playing and getting the best from guitarists, whatever the level.