Artist Lessons
Latest about Artist Lessons
Raw energy, fiery lead work and funky rhythms – the story and playing behind ‘the Otis Redding’ of guitar
By David Gerrish published
No one who saw him play could forget him, but he’s often overlooked whenever the legends of blues guitar are mentioned, it's time Luther Allison got his dues
Andy Wood shows you how to elevate your guitar melodies with glissando techniques
By Andy Wood published
In his latest column, Andy Wood taps into what he learned from Steve Vai, Guthrie Govan and Eric Johnson and applied to the melodies on his new album, Charisma
Troy Redfern is an innovative slide maestro – and his licks will up your solo game
By Jon Bishop published
Armed with his custom Fender Stratocaster, Redfern walks us through his signature slide style, and how he accentuates the underlying chord to bring out the melody
“You’ll find it in many old blues tunes”: You need to learn how to solo over this chord progression
By Jim Oblon published
Paul Simon guitarist Jim Oblon shows you how to tailor your leads to the classic I-VI-II-V progression – a jam night staple that’s a lot of fun, too
How to create memorable single-note themes in instrumental guitar music
By Andy Wood published
Andy Wood shows us the power of placing one carefully considered note in front of the other, replacing the need for the human voice
How Wayne Krantz forged his raw, rhythmic approach to fusion guitar
By Nick Mellor published
A lesson inspired by the jazz great that will help the advanced players out there take their improv chops to the next level
“He had one of the greatest finger vibratos of all time”: Jared James Nichols on the guitar genius of Free’s Paul Kossoff
By Jared James Nichols published
Kossoff is one of Jared James Nichols’ six-string heroes: he unpacks the Free guitarist’s signature vibrato and phrasing
Rodrigo Gouveia masterclass: learn how to emulate horns and piano like the neo-soul maestro
By Rodrigo Gouveia published
Crossing the boundaries of jazz, soul and soul, this JTCguitar lesson presents practical strategies for expanding your sound with melodic embellishments and triads that fill the mix
“It works every time… although you'll ruin your pick”: How to end a slow blues solo, by Joe Bonamassa
By Joe Bonamassa published
Drawing upon B.B. King's seminal Live at the Regal, JoBo offers pointers for "high-note activity" and the emotional build-up before deferring to Jeff Beck for the coupe de grace
How Queensrÿche's Michael Wilton and Chris DeGarmo became two of metal's most cerebral riff-masters
By Jamie Hunt published
Queensrÿche's high-concept metal still feels cult even though the Washington band are bona-fide platinum-selling stars. DeGarmo and Wilton's approach can be applied across all metal subgenres, too
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