Review: ModTone Mini-Mod Pedals

These videos are bonus content related to the January 2012 issue of Guitar World. For full print reviews, lesson tabs and more, look for theJanuary 2012 issue of Guitar World on newsstands now, or purchase this issue in our online store here.

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Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

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“A lot of guitar players switch to bass, but I feel like I was born a bass player – it’s in my bones”: Weezer’s Scott Shriner shares his bass tone secrets

“Dumble told me to bring it to him because he had a mod he could do. It’s the only Dumble Fuzz Face that I’m aware of”: Kenny Wayne Shepherd on unicorn stompboxes, the quest for feel and why budget guitars can make you a better player

“It dishonors that brand to say, ‘Now we’re King Crimson.’ But we do have the ability to say, ‘Look, this is legitimate – half of the band is onstage here”: Adrian Belew, Steve Vai and Tony Levin on how they made Beat – with Robert Fripp’s blessing

“I had to learn all the B-52s’ songs on a red-eye to New York. The tuning was hard to figure out – especially on a plane without a guitar in my hands!” Session pro Greg Suran explains what it takes to play on American Idol – and trade licks with Joe Walsh

6 AI-powered guitar tools to supercharge your guitar-playing

“You’ve got three guitars, and nothing to prove”: Stephen Malkmus, Emmett Kelly, and Matt Sweeney discuss the country tracking tricks, experimentation, and East German fuzz pedal clones that power The Hard Quartet's self-titled debut album

“I wouldn’t normally be caught dead with a Tele because I think they’re ugly, but that’s the only guitar I used”: Opeth’s Mikael Åkerfeldt and Fredrik Åkesson on their love of “stupid riffs,” and “recapturing that old death metal magic”

“It would've been almost two hours to get home in traffic. I said to myself, ‘You’re here. Just write a song.’ Within 30 minutes, Pumped Up Kicks revealed itself to me”: How a ’59 Jazzmaster and capture-the-moment attitude keep Foster the People in gear

“I don’t practice, because I don’t think that practicing in itself is necessary”: Yes icon Steve Howe on why he rarely runs scales, thrashing acoustics – and why you won’t catch him playing unfamiliar guitars

If tone is really in guitarists’ hands – then we need to pay more attention to our picks

“Billy Corgan literally said he wanted the ‘Sabbath note.’ He wanted that midrange that Tony Iommi has that really cuts through”: Reverend Guitars’ founders on their wild signature collabs with Smashing Pumpkins, Vernon Reid and Reeves Gabrels

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