Favorite Solos: Joe Bosso (Contributing Writer)

1) The Beatles “Taxman” 2) The Beatles “While My Guitar Gently Weeps” 3) AC/DC “Back in Black” 4) Foreigner “Hot Blooded” 5) Fleetwood Mac “I’m So Afraid”

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

More about guitarists

“I didn’t know him or trust him. But I gave him all of that money in the hope he would bring me a Strat. I had no idea if I’d see him again”: Rammstein’s Richard ZK on the coffee shop rendezvous in East Germany that got him his first Fender

“I said, ‘You can’t make a guitar as good as my old one.’ They tried and it wasn’t great”: Vince Gill’s 1953 Telecaster is one of the most coveted Teles of all time – but the Eagles guitarist turned down Fender’s offer to make a signature recreation

“With its tone knob backed off this thing gets sasquatch-hairy without losing clarity. It’s a surprisingly killer stoner rock machine”: EVH SA-126 Standard review

See more latest

Most Popular

“I play the double-neck and trade solos with Joe Walsh on Hotel California. It’s a bit terrifying, but it’s the greatest thing ever”: Chris Holt landed The Eagles without an audition – but his gigs with Mike Campbell and Don Henley might have helped

Elliott Easton of the Cars plays a black Danelectro singlecut on a stage lit in purple.

“John Lennon hated doubling his vocals. The chief engineer at Abbey Road came up with a way to add a delay and put it onto another track. That’s what that pedal does”: The Cars’ Elliot Easton on the secrets of his pedalboard – and the wizard who made it

“I wasn't familiar with PRS. If anything, I was like, ‘The birds are too flashy!’ But the moment I played one I was like, ‘Whoa, I can play faster now!’”: Meet Mei Semones, the Berklee graduate reimagining New Orleans vibes with an intricate indie flair

Peter Brewis of Field music is bathed in pink and blue lights as he performs live

“A lot of modern guitarists want to get all the notes right but if you listen to Jimi Hendrix or Jimmy Page, it’s beautiful playing, with loads of mistakes”: Peter Brewis on Field Music’s ‘collage rock’ – and why he owes his career to Robert Zemeckis

A live shot from the side of the stage as Dead Kennedys play the Mabuhay in 1978. East Bay Ray wears a hooped T-shirt and plays a Strat while a shirtless Jello Biafra works the crowd in the background.

“Iggy left the Stooges and had a career – ditto Lou Reed with the Velvet Underground or Morrissey with the Smiths. Where’s Biafra’s solo career?”: East Bay Ray explains why the Dead Kennedys’ chemistry hit its peak on Fresh Fruit... and why it fell apart

The Night Flight Orchestra all glammed-up in stage clothes and photographed against a green backdrop: guitarists Rasmus Ehrnborn [second from left] and Sebastian Forslund [fourth from right]

Faced with the loss of their founding guitarist and creative leader, Night Flight Orchestra are persevering with the big melodies and sonic largesse of rock's golden era

“There’s a sleek look to bands like Loathe, Spiritbox or Knocked Loose. Spiky shapes are engrained in our values – we want to wear our influences on our sleeves”: Employed To Serve are re-embracing metal guitars – but dropping amps

There’s no getting away from the fact that many major Japanese brands gained ground by cloning US designs, even fairly niche ones such as this 1972 Ibanez 2380 – a copy of the Gibson Les Paul Recording model of the era

“Tokai’s LS series are probably the best-built Les Paul-style guitars that have ever come through my shop”: How the Japanese guitar market came of age with ’80s Fender and Gibson clones – some that would rival the originals

1964 Epiphone Riviera: By 1964, the earlier ‘Mickey Mouse’ body ears of the Riviera had slimmed. The six-string is an unusual sunburst with narrower dark edges, while the 12-string E360TD-12 is the more common Royal Tan

Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar

“Smashing Pumpkins taught me that music doesn’t have to fit neatly into a box… it’s not as easy as pie. It’s pie with a side of metal!” Billy Corgan asked Jenna Fournier to go back to bass, and she says the timing is perfect

Get The Pick Newsletter