The Tremolo System That Doesn’t Exist
As many guitarists know, the tremolo arm found on some guitars isn’t really a tremolo system at all.
Tremolo is amplitude, or volume, modulation; vibrato is pitch modulation. The so-called tremolo mechanism on guitars is actually a vibrato system, because it’s designed to modulate pitch.
Regardless of the science behind it, Leo Fender called his guitar vibrato system “Synchronized Tremolo,” and we’ve been stuck with the misnomer ever since—though that hasn’t stopped us from coming up with several other names for the device, include whammy bar, twang bar and so on.
Phillip McKnight digs into the subject matter with his video titled “The Tremolo System That Doesn’t Exist.” He suggests that Fender may have used the name as a marketing concept to help sell guitars equipped with the device.
“Maybe using the term ‘tremolo’ was a way of saying, ‘Hey, like “Rebel Rouser” [hear it below]—Duane Eddy—you know, that sound.’”
Phillip also offers some tips and advice for using your guitar’s whammy bar, twang bar, or whatever else you like to call it.
Check it out, and visit Phillip’s YouTube channel for more of his videos.
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Christopher Scapelliti is editor-in-chief of Guitar Player magazine, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
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