Taylor Adds V-Class Bracing to Grand Concert Design
New architecture available in 300, 500 and 800/800 Deluxe Series models.
Taylor has expanded the range of guitars outfitted with its award-winning V-Class bracing, adding multiple models in their smaller Grand Concert body shape. V-Class bracing will now be featured in Taylor’s 300, 500 and 800/800 Deluxe Series Grand Concert guitars, with a number of different wood pairings to choose from, including both 12-fret and 14-fret editions as well as cutaway and non-cutaway models.
Launched in 2018, Taylor’s V-Class bracing was developed by Master Guitar Designer Andy Powers exclusively in the company’s Grand Auditorium body shape. According to Taylor, the bracing architecture “acts as a new sonic engine, drastically enhancing the guitar’s volume, projection and sustain, as well as improving the instrument’s intonation.” Paired with the compact dimensions of the Grand Concert, the result is a “little guitar with a big voice,” Powers said. “You hear all this gorgeous charisma. The V-Class architecture allows every single note to be there, every note is in tune, and you get this warm, sweet character that’s really appealing.”
Taylor will launch the new V-Class bracing Grand Concert Models in the 800/800 Deluxe, 500, and 300 Series, which together encompass 15 different models. The 800/800 Deluxe Series feature a rosewood/spruce wood pairing; the 500 Series offers a choice of mahogany with cedar or all mahogany; and the 300 Series presents sapele/spruce and blackwood/mahogany options.
For more information, head to taylorguitars.com.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.
“It’s one of the few instruments in my collection that I’m actually scared to play”: Joe Bonamassa’s museum-grade 1941 Martin has been meticulously reissued as a five-figure signature model
“All of these things I do on record using a few guitars, I’ve got it all in the one”: Johnny Marr just launched a 7-string signature Martin acoustic – but it’s not what you think