Summer NAMM 2019: Source Audio Unveils New C4 Synth Pedal

(Image credit: courtesy of Source Audio)

Summer NAMM 2019: Source Audio has unveiled the C4 Synth, which the company touts as housing all the sound creation tools of a classic Eurorack modular synthesizer in a compact pedal format.

The C4 offers six dynamic synth tones ranging from vintage analog to fully modern. Additionally, users can choose from a range of presets via the Neuro Desktop Editor.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

Latest

“A stunning tribute to an iconic design”: PRS preps for its 40th Anniversary with two new models – unveiling all-new features and an intricate 207-piece Dragon fretboard inlay

See more latest ►

“Aqualung was Ian’s riff. The solo was all done on the fly. If I hadn’t got it in two takes then it would have been a flute solo. That’s when Jimmy Page came up to say hello”: Martin Barre on Jethro Tull, the Aqualung sessions – and supporting Hendrix

“The idea of lead guitar is that there’s focus put on it, and during this period I just didn’t want any focus to be on me”: How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief

“Wolfgang knows more Intervals songs at any given moment than I do – on guitar and drums”: Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen

“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”

7 stocking filler gift ideas under $20 that guitar players actually need

“It sold for $937,000 to an anonymous buyer who, we assume, doesn't play punk rock for a living”: From Joe Strummer’s Tele to Johnny Ramone's Mosrite, here are the iconic guitars behind the sound of punk – and the modern-day equivalents you can buy today

“I might have done better in the Bluesbreakers than in the Yardbirds, but I certainly wouldn't have had the same kind of free rein to experiment”: Jeff Beck on his relationship with Eric Clapton, jamming with Hendrix, and turning down John Mayall

“It took me a while to learn that guitarists can’t play bass. It’s about more than just getting the notes right”: How Mike Rutherford’s ‘lead bass’ approach helped demystify the low-end for prog rock cornerstone Genesis

“There were nine other bass players. I got the job. Then I was told they were picking me up in three hours for a tour – I had to take it or leave it”: Tony Stevens on his rocky ride with Savoy Brown, Foghat and Midnight Flyer

“I took over where Billy Gibbons left off and did my half of the solo, and it was a very rare thing. My wife loves it. She doesn’t love anything I do...” Brian May, Billy Gibbons and Steve Cropper on how the three guitar icons learned to play together

“I remember trying to do pinch harmonics on a 30” Dunable in the studio… it was close to impossible. My fingers were all torn up trying!” Meet Gore. guitarist Alex Reyes – the modeler-melting Texan metal player summoning djent riffs from six-strings

Get The Pick Newsletter

Most Popular