Summer NAMM 2019: Death By Audio Unveils New Evil Fuzz Pedal | Guitar World

(Image credit: courtesy of Death by Audio)

Summer NAMM 2019: Queens-based pedal maker Death By Audio has unveiled the Evil fuzz pedal, a new unit that takes the two fuzz circuits from the company’s popular Evil Filter pedal—“one starved and chewy, the other insanely blasted into wavefolded fuzzy destruction”—and houses them in their own compact enclosure.

Controls on the Evil Fuzz are similarly streamlined. Just one knob for output, a toggle for the two circuits and an on/off footswitch.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

Latest

Jim Suhler & Stevie Ray Vaughan

“I walked right past Stevie Ray Vaughan when my dad was talking to him. My dad called me back and said, ‘There’s somebody here you want to meet’”: George Thorogood guitarist Jim Suhler on the first time he met SRV – and the profound advice he received

See more latest ►

“You should know the music so well that you could still play it perfectly while someone is screaming in your ear”: 15 pro guitarists share their tips for memorizing music

“The Who, Van Halen – the whole thing where there’s a separate singer from the lead guitar player. That started with Hubert Sumlin and Howlin’ Wolf”: Vernon Reid on the 7 riffs that inspired him, from Hendrix to Chic, Cream, and more

“People warned me, ‘If you work with Ritchie Blackmore, you could last 5 minutes. He could chew you up, spit you out. You could end up with nothing.’ So I did have to think about it”: Bob Daisley on Rainbow, Ozzy – and pairing-up with Randy Rhoads

“We were opening for ZZ Top at Madison Square Garden. I told the guys, ‘I’ll go out there and blow for 60 seconds, then we’ll go into the first tune.’ I hit the first chord and my Marshall blew up”: Richie Sambora on Bon Jovi's nightmare arena debut

“My first real gig with The Band was in front of 25,000 people and we had no real rehearsal… We just flew out to Dallas and opened for Crosby, Stills & Nash”: Jim Weider on replacing Robbie Robertson – and the ’52 Tele he got while working at a car wash

“$499 is incredibly high value for a guitar you can go and buy, and go and gig it. And that’s what I want: it’s not a toy”: PRS’ Jack Higginbotham reflects on the history of the SE line

“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle

“I was a Brian May obsessive. I had the Star Licks video and had learned it all by the time I was 14”: Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning

“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp

“Verböten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to the untapped guitar playing of David Gilmour’s solo albums