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“A near-perfect compact wireless system”: Fender Telepath Wireless System review
By Michael Astley-Brown published
After taking over the guitar cable market, Fender has turned its hand to its debut wireless system – and it has a secret weapon onboard

“It can give you pristine cleans, crunchy classic rock, slapback slathered blues, and even modern metal”: Blackstar Fly 3 review
By Matt McCracken published
I got hands-on with this low-budget practice amp designed to deliver killer tones at below the $/£100 mark

“Sounds great, bridges the gap between guitar and bass very nicely, and does so with heaps of character”: Shergold Telstar Standard Bass review
By Stuart Williams published
The revived UK brand unleashes a guitarist-friendly short-scale four-stringer that’s easy to play, and easy on the wallet

“Delivers uber-satisfying edge of breakup tube saturation that won’t annoy your neighbors”: Marshall DSL1CR review
By Matt McCracken published
Is there still a place for 1-watt tube amps in the modern age of modeling? I got hands-on with the DSL1CR to find out

“Could be a contender for the loudest, smallest amp”: Orange O Tone 40 review
By Martin Smith published
What’s loud, light and orange? The latest solid-state and affordable combo from Orange

“These $99 pedals are excellent not only for their price, but also their sounds”: Keeley x Sweetwater Soft Reverb, Super Bass Overdrive Aand Distortion and Suns Ultravoid Fuzz review
By Alex Lynham published
Three all-American boutique pedals, at under $100 a pop. Too good to be true?

“This is no clichéd P.A.F.-repro pickup”: Bare Knuckle PolyPaf humbuckers review
By Paul Riario published
Adam “Nolly” Getgood's signature humbucker redefines the O.G. classic for the 21st century

“A sophisticated ambient soundscape-generating device that’s like an instrument unto itself”: Mooer Ocean Machine II review
By Chris Gill published
Devin Townsend’s delay, reverb and looper makes a spectacular return – and it’s the pedalboard sequel we’ve all been waiting for
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