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“We’re not hearing $1,750 difference”: Epiphone Joe Bonamassa 1955 Les Paul Standard and Gibson Les Paul Standard ’50s Mahogany Top review
Two recent Les Paul launches from Gibson and Epiphone take a nod back to the ’50s in style. But not only are they made on different continents, they’re very different in price. Which is best? Let’s find out
“Everything a great beginner guitar should be”: Sterling By Music Man Intro Series Cutlass
The refreshed Cutlass is a sweet-looking vintage-ish S-style, but could this be the next apex predator in the market for entry-level electrics?
“Plays like something several times the price”: Shergold Masquerader SM11 Standard review
An original British guitar model – beloved of leftfielders like Bernard Sumner and Julian Cope – updated, modernized, and punching well above its new, lowly price point
“If only we could hand out Michelin Stars for guitar-building”: JWJ Parlour Select, Orchestra Select and Slope Shoulder Select review
This acoustic trio hails from UK-based JWJ’s Select Series, essentially guitars made to a spec that luthier Rich Jones would choose himself. Let’s see how they measure up
“Far more versatile than its tube counterpart”: Fender Tone Master ’59 Bassman review
Fender attempts the incredible feat of replicating the historic Bassman with a digital heart in its latest addition to the Tone Master series
"Gibson is currently producing some of the finest guitars in its history": Gibson Les Paul Studio Session review
Flame top, neck binding, and classic mother-of-pearl logo – when does a Studio stop being a Studio?
“A great way to get maximum bang for your buck”: TC Electronic Plethora X1 TonePrint Loader review
TC Electronic has a chameleon pedal for your ’board that can be (almost) anything you like
"The legendary amp maker is taking aim at other Marshall-in-a-box pedals with a new lineup that is diverse, well-made, and very well-thought-out": Marshall 1959, JCM800, JCM900, DSL, and JVM overdrive pedal review
Marshall is going for gold with this new line of pedals – but do they live up to the iconic amps they are inspired by?
"It sounds good; you’re not getting superb clarity or a broad, rich frequency range – you get the sound of your guitar’s pickup amplified": Harley Benton TableAmp V2 Bluetooth review
An affordable, Bluetooth-equipped desktop amp designed with electro-acoustic instruments and vocalists in mind – but with scope for amp modelers too
